Hegel H150 Integrated Amplifier Officially Announced
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Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
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Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Recording of June 1988: Songs My Mother Taught Me

Songs My Mother Taught Me
Arturo Delmoni, violin; Meg Bachman Vas, piano
Kreisler: Tempo di Menuetto; Brahms: Hungarian Dance No.1; Valdez: Gypsy Serenade; Paradis: Sicilienne; Sarasate: Romanza Andaluza; Massenet: Meditation; Tartini: Variations on a Theme of Corelli; Smetana: From the Home Country; Gluck: Melodie; Vieuxtemps: Romance "Desespoir"; Faure: Apres Un Reve; D'Ambrosio: Canzonetta; Mendelssohn: Song Without Words ("May Breeze"); Kreisler: Sicilienne et Rigaudon; Dvorak: Songs My Mother Taught Me
Mobile Fidelity Sound Lab MFCD 877 (CD), North Star DS 0004 (LP). David Hancock, eng.; Bruce Foulke, prod. A-D. TT: 52:51

Here, at last, is one huge exception to the "Rule": an outstanding musical performance superbly recorded. Songs My Mother Taught Me is the product of a love affair between violinist Arturo Delmoni and the almost defunct practice of programming only short pieces in recitals. Delmoni's aim was to recreate that lost practice, and the result is stunning.

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Monster Beats by Dr. Dre Solo

This story originally appeared at InnerFidelity.com

When I first saw the Monster Beats by Dr. Dre Solo ($199 MSRP) I thought they might be the most beautiful headphones I’d ever seen. The fit and finish is stellar; the styling superb; they fold beautifully; the cable is pure sex; they’re comfortable … the Solos are just gorgeous. At the time I thought, “These may be the headphone of the year!”

Except for one little thing …

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Skullcandy Mix Master

This story originally appeared at InnerFidelity.com

I've got an open invitation to visit Skullcandy's headphone R&D labs in Park City Utah ... and I'll be taking them up on it sometime soon. Why? Because I want to see what they're doing that let them build a few darn good sounding headphones lately.

The Mix Master is one of them.

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Quad II Classic Integrated amplifier

Given that Quad's founder, the late Peter J. Walker, wasn't around to design the Quad II Classic Integrated, the English firm relied instead on Tim de Paravicini, whose credits include the comparatively recent Quad II-eighty mono amplifiers and QC-twentyfour preamplifier (not to mention his own line of E.A.R./Yoshino electronics and countless other well-regarded products). It's with respect for both men that I say: In turning to Tim de Paravicini, Quad has probably chosen the closest approach to the original.
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Luxman SQ-38u integrated amplifier

Let's not beat around the bush: this is what an amplifier is supposed to look like. The silver front panel contains over a dozen knobs and switches, yet somehow avoids seeming cluttered. The solid wood cabinet wouldn't look out of place next to Hugh Hefner's cognac decanter. And the controls! The SQ-38u is as full-function as they come ("as they used to come" would be closer to the truth), with a Balance knob, separate Bass and Treble Tone Controls, a low-frequency cutoff (aka "rumble") switch labeled Low Cut, a Mono/Stereo switch, and a mute button; plus switching and connectors for two pairs of loudspeakers. Everything but curb feelers.
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Hi-Fi Expo Sophia

The massive Clearaudio Statement (seen here: just the topmost 567 pixels) will be on display at Hi-Fi Expo Sophia in Bulgaria.

Thursday&#150Sunday, December 1–4: The second Hi-Fi Expo Sophia will take place at the Grand Hotel Sophia in Sophia, Bulgaria.

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Hi-fi Hootenannies at Whetstone Audio

Look eye! Always look eye!

Friday, December 2, 6–9pm: Whetstone Audio (2401 East 6th Street, #1001, Austin, Texas) will host an evening of music with Bob Clarke of Profundo (Heed, Transfiguration, VivA, Trenner & Freidl, Silent Source) and Colleen Cardas of Colleen Cardas Imports (Unison Research, Opera Loudspeakers).

Brian Di Frank of Whetstone Audio says this is just “the first of many hootenannies” and he offers a warm invitation:

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The Entry Level #11

On Thursday, August 11, Cut Copy performed for a massive crowd at Brooklyn's Prospect Park, putting the perfect end to what had been a beautiful summer day. Concert photos by Natalie.

The enormous sky above Brooklyn's Prospect Park was a dazzling watercolor. Warm, soft shades of yellow, orange, and violet swept across a saturated canvas as the sun slowly dissolved into the horizon and day reluctantly gave way to night. It was the second week of August and, though no one wanted to admit it, the days had become noticeably shorter.

I walked alone through turnstiles that led to the large band shell where thousands of people would congregate for the final night of "Celebrate Brooklyn," a summerlong series of outdoor concerts. This year's season included performances by a wonderfully diverse and talented collection of artists—some obscure, some renowned, all worthwhile: Andrew Bird, Larry Harlow, Animal Collective, Real Estate, The Feelies, Los Lobos, The Bad Plus, Dr. John, and dozens of others.

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