LATEST ADDITIONS

It says something for the state of technology that, after a quarter of a century, there still is no authoritative explanation for why so many high-end audiophiles prefer tubes. Tubes not only refuse to die, they seem to be Coming back. The number of US and British firms making high-end tube equipment is growing steadily, and an increasing number of comparatively low-priced units are becoming available. There is a large market in renovated or used tube equipment—I must confess to owning a converted McIntosh MR-71 tuner—and there are even some indications that tube manufacturers are improving their reliability, although getting good tubes remains a problem.

Illustrator Jeff Wong is working on a portrait of <i>Stereophile</i> founder, J. Gordon Holt, to appear in our October issue. Since Jeff will need some reference material, John Atkinson and I have been having a whole lot of fun sorting through great, old <i>Stereophile</i> <a href="http://blog.stereophile.com/stephenmejias/old_treasures/">memorabilia</…;, <a href="http://blog.stereophile.com/stephenmejias/the_finger_button/">trinkets<…;, <a href="http://blog.stereophile.com/stephenmejias/jgh_and_jgh/">photos</a&gt;.

Among the treasures discovered this morning, we have the very first issue of <i>Stereophile</i>, punk rock-style buttons, several outstanding hi-fi cartoons drawn by JGH, and some absolutely shocking show photos.

I like to stop by <a href="http://www.soundopinions.org/">Sound Opinions</a>, where rock critics, Jim DeRogatis and Greg Kot, slap each other in the face with their favorite album covers. No, they don't really do that. Sometimes they agree. They're smart and funny and loveable. Jim is from the <i>Chicago Sun-Times</i> and Greg is from the <i>Chicago Tribune</i>, and they love rock and roll.

If you're new to hi-fi, you might not be aware of the fiercely controversial and seemingly endless argument regarding the importance of blind listening in determining a component's worth. Essentially, there are those who believe that if differences in sound cannot be perceived while listening blindfolded, or under similarly exhausting, stressful, and inhumane conditions, then differences do not exist, and we're all just full of shit when we tell you that the $30,000 Musical Fidelity Titan sounds nothing at all like the $159 Sonic Impact Super T, that, in fact, they're basically the same amp, so you might as well buy the cheaper one.

Charlie Haden, the world’s most distinctive and enticing bass player, seems to have adopted a new tradition. It started as a special occasion, a dozen years ago, in celebration of his 60th birthday, when he played a week of duets at the Blue Note jazz club in New York, each night with a different pianist. He repeated the experiment on his 70th, and this week he’s doing it again, just short of his 72nd, not a round number, which leads me to suspect he’s doing it—and may do it again, semi-regularly—simply because it’s so thrilling, so fun.