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Roy Hall has been Creek Audio's US importer for more than 20 years. Did you know that all Creek gear is now made in China? Just like Cambridge Audio, Quad, and many B&W models. Just like some US speaker brands, for which virtually all parts are made in China but are assembled, it's claimed, in the US. Three cheers for brands like LFD, Rega, Sugden, and Harbeth—all still made in the UK. For French marques made in France. For Italian products produced in Italy. Etc.

The companion loudspeaker to <A HREF="http://www.stereophile.com/thefifthelement/the_fifth_element_57">Denon's RCD-CX1 SACD/CD receiver</A> is the SC-CX303 ($1200/pair). The SC-CX303 is a ported two-way with a 1" soft-dome tweeter and a 5" carbon-fiber&#150;cone woofer. Denon claims a sensitivity of 86dB and an impedance of 6 ohms. Instead of a formal frequency response, Denon instead gives an unreferenced figure for frequency extension that, at 35Hz&#150;60kHz, is neither helpful nor credible.

The "high-performance" sector of the 2010 Consumer Electronics Show, to be held January 7&#150;10 at the Venetian Hotel, in economically downturned Las Vegas, promises an exciting array of new products for home and office. While the CES proper is open only to dealers, press, and the relatively few non-industry audiophiles who can wriggle their way in, <I>Stereophile</I>'s intrepid bloggers promise to tell you just about everything worth talking about, via frequently updated show reports on our website.

Now that <I>Stereophile</I>'s reporting on the 1985 Summer Consumer Electronics Show has ended (I hope!), I would like to express strong dissent with its style and content. In fact, I believe that most of it should never have appeared in print.

The Consumer Electronics Show begins this week in Las Vegas, and hundreds of new audio products have already been announced. Is there anything you're hoping to see from manufacturers?

When I first laid eyes on the Paravicini M100A monoblock power amplifiers at the Consumer Electronics Show in January 2001, an audiophile in the room squinted at my badge and cried out, "Hey, J-10, these amps have your name written all over 'em!"

A freelance reviewer's workload is erratic. On the odd occasion one might have a few moments' respite, while at other times the coincidence of multiple deadlines for copy results in several weeks of panic. As I write this missive I have just completed one such overload period covering so much equipment that I thought that it would be worthwhile to look back and take stock at the audio in the past decade (footnote 1).