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"Bring the concert home!" declared the Jones Audio brochure. The 18-month old company, whose products are "handcrafted" in Seattle, took advantage of RMAF to debut the Jones Audio PA-M300 monoblock amplifier ($24,000/pair). This 300W into 8 ohms, 560W into 4 ohms baby, which uses a 35 lb toroidal transformer, kept company with the Jones Pre-S2 preamplifier (approx. $11,000), the Revel Ultima Salon2 loudspeakers I've lusted after on multiple occasions ($22,000/pair), a Benchmark DAC1 Pre, and Kimber cabling with WBT connectors (approx. $1000 worth).

Departure Audio seems to take their name seriously. In a system fine-tuned by Shakti Hallographs (the candelabra-like devices at the edges of the photograph) and the infamous you know whats from Synergistic, the Fort Collins dealership was showing Canton Reference 7.2 loudspeakers ($7000, presumably for the pair), Herron Audio's VTSP-3A preamplifier ($6550) and M1 power amps ($6850, presumably for the pair), Arcam CD 37 ($2295), Blue Circle Audio BC 507 DAC ($2095, with options available), Audio Magic cabling and Oracle power conditioning ($7500). The sound was clean and incisive, which means somewhat tipped up. I would have stayed to explore more, but constant conversation in the room led me to take Departure Audio's name literally.

You can always count on EAR's Dan Meinwald to be spinning some great platters. When I walked in, whatever jazz recording was playing sounded very alive and incisive. (EAR's electronics and Marten's speakers are not shy and recalcitrant). When Dan switched to an old classic LP, <I>Meeting at the River</I>, the Vishwa Mohan Bhatt's unique guitar sounded uncommonly beautiful and clear. Had I not had 18 rooms left to visit on Saturday, with a lot more screaming for attention, I would have stayed longer.

The sound in this room blew me away. When I walked in, Dr. John's "In a Sentimental Mood" was sounding as lovely and mellow as can be. Switching gears 180&#176;, Reference Recordings' LP issue of Stravinsky's <I>Firebird</I> had absolutely amazing bass. "Amazing," I wrote twice in my notes.

We audiophiles can't resist pushing the boundaries of intimacy. Step on those cables, jostle them amps&#151;we just gotta take a look at what's going on from all angles. Trying not to do permanent damage, here's what I spied on the back of Lowther America's Field-Coil EXR Open-Baffle loudspeaker (estimated price of $15,000/pair).

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Judging by my complete lack of notes on the room occupied by Silver Circle Audio, Sutherland Engineering, and Tyler Acoustics&#151a VPI Scoutmaster turntable was spinning tunes, with amplification from Plinius driving the speakers&#151I would have to say that I didn’t do much listening in here. I mean, I <i>heard</i> music, but I was too busy enjoying my conversation with Silver Circle’s David Stanard, and I was too impressed by the <i>appearance</i> of the gear. From the cabinetry of the Tyler Acoustics Decade D1 loudspeakers to the <a href="http://blog.stereophile.com/rmaf2010/hefty_ac_cords/">hefty AC cords</a> coming from the Silver Circle Pure Power One 5.0’s rear panel to the <a href="http://blog.stereophile.com/rmaf2010/made_in_the_usa_enjoyed_everywhere… circuitry</a> of the Sutherland Engineering 20/20 phono preamp (review to come from Brian Damkroger), to the equipment rack&#151handmade by Stanard in one afternoon&#151everything was handsome and personal and showed obvious fine craftsmanship.