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There were lots and lots and lots of headphones at CanJam, a headphone lover’s paradise.

I was impressed by the looks and sound of PMC’s new Fact 3 monitor ($9500/pair). PMC’s Ian Verdugo explained that the company gave the model the “deluxe audiophile treatment,” with a completely new design and modified transmission line. Shown in an attractive Tiger Ebony finish, the Fact 3 uses two 5.5” SEAS mid/woofers and a 0.75” Sonomex soft-dome, ferro-fluid cooled tweeter. On the speaker’s brushed anodized rear panel, users will find two switches for adjusting the high frequency and bass response.

Aperion Audio introduced their new Verus Grand line of speakers: the Verus Grand Tower ($1798/pair), Verus Grand bookshelf ($598/pair), and Verus Grand center channel ($699), all with very nicely finished, curved cabinets in attractive high-gloss cherry or piano black lacquer.

Audioaero’s LaSource ($44,000) combines an SACD/CD player with a preamp and DAC, and its “hybrid circuitry” makes use of 32-bit re-sampling technology and a “subminiature” tube output stage. It uses an Esoteric VRDS-NEO/VMK 5 transport mechanism and has a dedicated master clock for jitter and noise reduction.

Michael Fremer enthuses over the sound of the Esoteric E-03 phono preamplifier in our forthcoming December issue, and this $6500 component was being featured in Esoteric's ground-floor room at RMAF, fed from a VPI Scoutmaster turntable fitted with a Dynavector DV20X phono cartridge. The rest of the system, which sounded excellent on Eva Cassidy's Songbird LP, comprised Esoteric's C-03 preamp, A-03 class-A solid-state amp, and MG-20 tower speakers, hooked up with Esoteric's XL cables. (I very much liked the MG-20 when I reviewed it in the August 2008 issue.) The digital front-end was the X-05 player feeding the $4800 D-07 D/A processor, which I will be reviewing in the January 2011 issue of Stereophile.

I must admit that I had never heard of Brodmann pianos from Vienna. The only Viennese piano manufacturer I was aware of prior to the 2010 RMAF was B&#246;sendorfer, and Brodmann's Bernd Gruhn (pictured) enlightened me, explaining that back in the day, Herr Brodmann had been Herr B&#246;sendorfer's teacher. I mentioned that it was a coincidence that a second Viennese piano manufacturer was branching out into loudspeaker production&#151;B&#246;sendorfer launched an idiosyncratic line of speakers at a New York <I>Stereophile</I> Show a few years back&#151;only to find out that it wasn't a coincidence at all. The Brodmann speakers are designed by Hans Deutsch, who had licensed his designs to B&#246;sendorfer. When that company withdrew from the speaker business, Deutsch approached Brodmann.

Colorado dealer Listen-Up had three rooms at RMAF. The first one I went into featured Sonus Faber Liuto 3-way speakers ($6000/pair) with PrimaLuna amplification and CD player (the latter the Prologue 8 that Fred kaplan and I reviewed for the magazine a couple years back) and AudioQuest cables and a SolidSteel stand. The Liuto speaker is intended to offer Cremona-like performance for half the price; it combines a 1.25" silk-dome tweeter with a 6" woven composite-cone midrange unit and a 7" magnesium-alloy cone woofer. The nicely finished enclosure follows Sonus Faber's usual technique of laminating cherry sections.