Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
ModWright Does it Right at SouthWest Audio Fest 2026
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Linear Tube Audio, Prodigio Audio, and Spiritual Sound at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!
Altec Lansing & Infigo Audio at SouthWest Audio Fest 2026
Van Zyl Audio at SouthWest Audio Fest 2026
Playback Distribution at SouthWest Audio Fest 2026
Pilot Radio Takes Command at SouthWest Audio Fest 2026
Bandwidth Audio at SouthWest Audio Fest 2026

LATEST ADDITIONS

IMPORTANT! DO THIS NOW!

The (insert adjective here) recording and entertainment lobbies have sneakily maneuvered to have language inserted in <A HREF="http://www.copyright.gov/docs/regstat051606.html"&gt;
Section 115 Reform Act (SIRA)</A>, which is being considered by the House Judiciary Committee, that will destroy fair use as we know it. The language is vague but it appears to require licenses from copyright holders for "every digital copy made in the transmission of digital media&mdash;including cached copies on servers or on your hard drive, and even temporary copies in RAM," according to the Electronic Frontier Foundation (EFF).

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High End iPod?

While the focus of HE2006 was clearly on consumer equipment, two recording engineers stopped me in the halls to show off a hot professional recording device from Sound Devices. Todd Garfinkle from M•A Recordings first alerted me to the two channel version of the portable recorder, which retails for around $2,400. About the size of a small book, it sports pro inputs and the ability to save to a flash card or host computer.

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Moscode Rocks!

The Moscode 401HR driving the Joseph Audio RM25si loudspeakers were sounding mighty fine. I actually thought they had more moxy than most really expensive systems I heard at the Show, particularly with acoustic music, such as Alison Krauss and Union Station. The top end really sparkled in a most believable way.

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