Lukas Lipinski was happy to present his L-707 speakers ($4990/pair) on special stands which discreetly house the 300Wpc L-301 monoblocks ($6000/pair). Keeping the amps close to the speakers allows for shorter cable runs, and, of course, is a clever space-saving idea. The amps slide vertically into the stands and are held in place by small screws on the back panel. The amps' glass front panel bears the Lipinski logo and can be illuminated.
We trucked across the hall to the treated room which contained several sets of RPG Variscreen free-standing variable acoustics screen ($700/each), a Modex Plate ($1000)—which offers broadband low frequency absorbtion from 50–500Hz—and two Rives Audio Sub-PARC crossover/EQs ($4500/each). The system also boasted an extra pair of VAC Alphas—Richard Rives explained that he was using the Sub-PARCs as crossovers, bypassing their digital woofer amps to kep the signals equivalent from top to bottom.
Well, few people <I>have</I>. In a stunning collaborative effort, Rives Audio, RPG, Modex, Talon, VAC, Wadia, XLO, and Silent Running set up two rooms designed to demonstrate that even the best audio components need a little help from <I>intelligently applied</I> digital EQ and room treatment. Two rooms, almost mirror images of one another, with essentially the same system—only one room used EQ and treatment and the other didn't.
Here's the system rundown: Wadia 581i disc player ($9450), 100Wpc VAC Alpha integrated amplifier ($10,000), Talon Thunderhawk loudspeakers ($25,000/pair), XLO Signature 2 interconnects ($00/m). XLO Signature 2 speaker cable ($2700/2m), XLO Argentum XP3 power conditioner ($600), and Silent Running Craz Reference isoRACK ($6000, as configured here).
The program of seminars and workshops has been an important part of the Home Entertainment Show since its inception in 1987. For the past few years, Sunday afternoon has been the time for <I>Stereophile</I> Senior Editor Michael Fremer's guide to getting the best from LP playback. At this year's action-packed session, he showed a packed house to how to mount and align a phono cartridge on a VPI turntable, aided with close-up video help from Dave of Show contractor Moorea Marketing.
Indeed, there <i>were</i> nice things from Sweden in the Sjofn HiFi room. I didn't get a taste of the snittar (Swedish finger sandwiches), but I was very impressed by the powerful bass and deep, wide soundstage created by the diminutive Guru loudspeakers. As <a href="http://blog.stereophile.com/he2007/051307Sjfon/">Wes mentioned</a>, the Gurus were designed with the room in mind, and are meant to be placed near room boundaries.
As American as Harley Davidson. They only use machines for the simple stuff.
The John Atkinson Trio had 'em dancing in the aisles. In fact, only mom Elizabeth Donovan's gentle persuasion kept Ms. Stuelke from dancing on the stage. I think we all wanted to join her.
I tried to get an arty shot of Bob Reina playing the Steinway. His chromaticism and inspired soloing made me aspire to a higher level of craft.
