A View Into the Soundstage
Stuck out here in the <A HREF="http://www.stereophile.com/asweseeit/498awsi">desert depths of the Southwest</A>, we look forward to visits from out-of-towners. So when <A HREF="http://www.stereophile.com/interviews/478">David Wilson</A>, one-time audio reviewer but now full-time high-end manufacturer, called to say he was going to be in Santa Fe, there was a flurry of activity. David had agreed to an <A HREF="http://www.stereophile.com/interviews/690wil">interview</A>, so I started going through back issues of <I>The Absolute Sound</I> and <I>Stereophile</I> for background. Vol.6 No.2 of <I>Stereophile</I> from 1983, with its front-cover photograph of David and Sheryl Lee Wilson with their WAMM speaker system, seemed a good place to start—except that nothing inside the magazine corresponded to the cover picture. It was the <I>next</I> issue that had featured Larry Archibald's write-up on the WAMM, and once I opened its pages, I got trapped into reading the entire issue.