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LATEST ADDITIONS

Nelson Pass: Simple Sounds Better

As one of the founders of Threshold Corporation, its present chairman, and its longtime technical head, Nelson Pass has had a hand in the design and implementation of the products to come out of that company since its inception. His <A HREF="http://www.stereophile.com/solidpoweramps/16threshold">SA-1</A&gt; power amplifier and <A HREF="http://www.stereophile.com/solidpreamps/987fet10">FET 10</A> preamplifier have been long-term favorites of <I>Stereophile</I> founder J. Gordon Holt and I reviewed the <A HREF="http://www.stereophile.com/solidpoweramps/1290thresh">Threshold SA-12/e</A> power amplifier a year ago (Vol.13 No.12). I cornered him on a visit to Santa Fe...

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High Ground

Sometimes, Huckleberry simply <I>has</I> to take the high ground and brood. Well, it looks like brooding, but he's not deep, that cat. He's probably thinking <I>How did I get here? How do I get down? What was that middle thing again?</I>

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Helpful Bagheera

Our least trusting cat has inexplicably determined that her favorite perch in the house is <I>on</I> the heavily trafficked threshold between the kitchen and living room. She's training us to step lightly&mdash;and as far to the other side as possible.

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Globes of Desire

I was saddened today to read about the December 22 passing of Ruth Wallis, a singer from the 40's through 60's who specialized in creative naughtiness. Born in Brooklyn (where else?), she sang with Benny Goodman and owned her own record label, but it was her risque tunes like, "The Dinghy Song" ("He had the cutest little dinghy in the Navy") that brought her the most fame and which became the basis for an unlikely 2003 Broadway hit, <I>Boobs! The Musical: The World According to Ruth Wallis</I>. Here are a few classic couplets from the Wallis-penned title tune:

"You've gotta be filled
Two fried eggs will never grab him like grapefruits will
(And they're both breakfast foods)
But listen girls, don't try to fool your lover
Remember, he can go to Good Year if he wants rubber"

"Just think if all us girls had boobies with fluorination
We could take the cavities out of the whole damn nation
A nibble a day keeps the dentist away"

"Some push 'em up
Some stick 'em out
And some keep 'em flappin' in the breeze
Some tie then down because if they don't
They would hang down to their knees
Just you tease"

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The Search for Roy DuNann

I don't remember the year, but I remember the moment when I first became intensely curious about Roy DuNann. It must have been about 1975, right after I moved to Seattle. I bought a Sonny Rollins LP called <I>Way Out West</I>, took it home, cued it up on my Thorens turntable, dropped the tonearm, and suddenly I was in a room with Rollins and Shelly Manne and Ray Brown. It was a shipping room with records stacked on shelves all around the musicians, but I wouldn't know that until many years later.

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Recording of July 1992: Wagner: Siegfried

<B>WAGNER: <I>Siegfried</I></B>
Reiner Goldberg, Siegfried; Heinz Zednik, Mime; James Morris, Wanderer; Hildegard Behrens, Br&#252;nnhilde; Ekkehard Wlaschiha, Alberich; Kurt Moll, Fafner; Birgitta Svend&#233;n, Erda; Kathleen Battle, Forest Bird; Metropolitan Opera Orchestra, James Levine<BR>
Deutsche Grammophon 429 407-2 (4 CDs only). Cord Garben, Claudia Hamann, prods.; Wolfgang Mitlehner, eng. DDD. TT: 4:10:29

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