LATEST ADDITIONS

I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.

The Salon Son & Image has been organized for the past 4 years by Michel Plante and Sarah Tremblay, who were to be seen everywhere on the Show's opening day. I have been involved in running Shows for almost 30 years, and I must say that from the visitors' perspective and, I hope, the exhibitors', the 2010 event was superbly organized. Good signage, a great venue, and overall good sound, I take my hat off to Michel and Sarah. They even partnered with CEDIA for the first time at the 2010 Show to present "CEDIA University," a series of training seminars for custom installation. The evening of the first day, Michel thanked everyone in a short speech at the opening reception and wished them "Bon Salon!" before handing the stage over to the Give Band.

Following Michel Plante's speech at the opening night reception, the Give Band played a great set of world-music&#150;influenced rock that, thankfully, was not too loud. (The FoH mixer must have been an audiophile.) The band's CD <I>AudioPhylanthrope</I>, recorded and mastered at the world-famous Guy St-Onge's studio, was launched at SSI as the Show's reference recording. The Give Band are performing at 9pm tonight (Friday, when the Show closes) in the Lounge Stereo Plus on SSI's lower floor, so if you are at the Show, you still have a chance to check them out.

I was also impressed by the sound of the $7000/pair Joseph Pulsar stand-mount that Stephen Mejias <A HREF="http://blog.stereophile.com/ssi2010/joseph_audio_simon_and_garfunkel/">… about</A>. What was notable about the set-up was that, in order to tame the hotel room acoustic, Jeff had set-up the speakers, driven by Simaudio's new 175Wpc Moon 700i integrated amplifier via Cardas Clear cables, to fire across the room's diagonal. If you have problems getting an optimal transition between the mid-bass and upper bass in your room, you might want to try this set-up (significant other not objecting, of course).

SSI 2010 also marks the North American debut of the active-suspension, self-powered DSPeaker Servo loudspeaker ($3500/pair), designed and manufactured in Finland and distributed in the US by Simplifi Audio. Lead designer Toni Liitola explained that the use of Active Suspension Compliance Management works to tame acoustical and mechanical non-linearities of the driver/enclosure system, while DSP-based waveform shaping enables a “transient-perfect sound.” The Servo uses Seas drivers made to DSPeaker’s specifications; internal amplifiers are made in-house. In addition, the speaker’s built-in Anti-Mode room correction eliminates room resonance, allowing the speaker to be placed almost anywhere in a room. In support of his claims, Liitola was happy to share several waterfall plots and step-response graphs.

With the Joseph Audio Pulsar ($7000/pair), <a href="http://blog.stereophile.com/ces2009/josephs_pulsar/">introduced at the 2009 CES</a>, Jeff Joseph’s goal was to turn his top-of-the-line Pearl into “a convenient, single-serving size speaker with real bass slam.” The Pearl’s 1” tweeter is mated to a magnesium-done woofer made by Seas to Joseph’s specs. Joseph explained that the Pulsar is designed to radiate sound evenly over a very wide angle to avoid wave interference, and make for simple placement and good sound throughout the listening room.

Here's another view of Jeff Joseph's beautiful Pulsar loudspeaker ($7000/pair), finished in Pommele Sapele.