LATEST ADDITIONS

Three years after Dynaudio released its highly coveted 30th Anniversary Sapphire loudspeaker in a limited run of 2000 units, the final pair will be sold online by Danish auctioneer <A HREF="http://www.lauritz.com">Lauritz</A&gt;. All proceeds from the auction, which begins Wednesday, May 12, and ends at 2pm MEST on Saturday, May 22, will benefit Doctors Without Borders.

On Saturday night, in New York City, upstairs in Manhattan’s 54th Street Yamaha piano studios, which by the way is very close to that other keyboard shrine, Steinway Hall, <I>Stereophile</I>’s own contributing editor Bob Reina and his group, Attention Screen recorded their third live album for Stereophile Records, a label owned and run by editor in chief/sound engineer John Atkinson, our fearless leader. Just so there is no confusion, I mean that last term as an endearing salute rather than in the sense of Rocky & Bullwinkle’s Germanesque dictator of Pottsylvania.

I was directed to this video via the <a href="http://twitter.com/stereophilemag"><i>Stereophile</i&gt; Twitter page</a>, in a tweet from <a href="http://blog.bowers-wilkins.com/sound/formats/to-have-and-to-hold-vinyl-… & Wilkins</a>, who’d seen it first at <a href="http://www.audiophilia.com/wp/?p=4383">Audiophilia</a&gt;. Moments after I’d watched the video, <i>Stereophile</i> contributor Jim Austin also sent me the link.

And on Saturday, April 24th, Attention Screen performed at Yamaha’s Artist Services concert hall. The performance was recorded by John Atkinson for a future Stereophile CD, the band’s third, scheduled to be released at the 2010 Rocky Mountain Audio Fest in October. It was an excellent night of music. Check out the images in <a href="http://forum.stereophile.com/photopost/showphoto.php/photo/2232/size/bi… Gallery</a>.

There's a fantastic new two-SACD/CD set of a demonstration-quality live recording of a rather obscure work you really should get to know, not only for its own merits, but also for what I believe is its underappreciated but major influence on music and on popular culture. The piece is by 20th-century composer Arnold Schoenberg, but trust me&#151;it's more than "listenable." It (or, at least, the music on the first disc) is beyond engaging; it is compelling&#151;a revelation, even. The work is <I>Gurrelieder</I> (Songs of Gurre), Gurre being a castle in medieval Denmark that was the setting of a real-life doomed love triangle, the story of which has since loomed large in the moodily brooding artistic consciousness of Danes. The 19th-century Danish poet Jens Peter Jacobsen wrote a collection of poems based on medieval legends, including this one, and a German translation by Robert Franz Arnold provided Schoenberg's dramatic texts.

Not too many years ago, high-fidelity movement was being hailed from all quarters (and many halves) as a revolution. In the sense that it took the country storm, and made billions of dollars for many entrepreneurs during heyday, it was indeed a revolution. But now the public has grown tired of high fidelity and is turning other electronic diversions&#151;video, video games, and computering. And what, as of this summer of 1982, do we have to show for the high-fidelity revolution?

The Vivian Girls’<br>
perceptive Cassie Ramone<br>
reads <i>Stereophile</i>.