LATEST ADDITIONS

Given how impressed John Atkinson and I were by the combination of Acapella High Violoncello II speakers ($80,000/pair) and Einstein electronics demmed at <A HREF="http://blog.stereophile.com/axpona2010/acapella_horns/">Axpona 2010</A> and <A HREF=http://blog.stereophile.com/ces2010/the_fabulous_acapella-einstein_duo”>CES last January</A>, I was eagerly anticipating another opportunity to enjoy these imposing babies. The opportunity came in the room co-sponsored by Loggie Audio of Redwood City and Aaudio Imports. (They were the same samples that until recently had resided in <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/2271/">JA's listening room</A> for his review in the forthcoming September issue.)

I had heard much positive buzz about the fascinating-looking Salk SoundScape loudspeakers. Equipped with the excellent RAAL custom ribbon tweeter, an Accuton midrange, and a separate Acoustic Elegance woofer, the Soundscape 10 ($9999/pair base price, or $13,999/pair with a 12" woofer) is said to perform from 21Hz&#150;60kHz, &#177;3dB. It also offers adjustable tweeter and midrange ambience, and looks like a baby that will attract lots of positive attention in your living room.

Given the size and promise of this system, I was eager to audition it with Mahler's Symphony No.2. Through the Tigris 8" tower speakers ($9500/pair), Cin&#233;nova Grande 7 seven-channel power amplifier in two front-channel mode ($5999/piece), older B&K Reference 50 processor, Cambridge Audio Azur 840C CD player ($1700), Ethereal interconnects, and Nordost Valhalla speaker cable, the low bass was disconcertingly disconnected from the other instruments in Mahler's Symphony No.2. Given that the subwoofer was not being used, I have no explanation, either for that, or for a gray and muted palette that lacked all sense of air. I prefer to think that this system was particularly hard-hit by the power fluctuations and room challenges that I describe in my show summation.

Two more recent articles on the cassette tape revival: The Los Angeles Times tells us “<a href="http://www.latimes.com/entertainment/news/music/la-ca-cassette-revival-… tapes are back in the mix</a>,” while Fact Mag offers “<a href="http://www.factmag.com/2010/07/26/cassette-playa-in-praise-of-tapes/">C… Playa: in praise of tapes</a>.”

Grant Fidelity of Calgary, Canada specializes in low-cost, high-value equipment from China. To get an idea of the huge number of components on display by the company whose motto is "Hi-End, Not High Priced," please check out the list on their <A HREF="http://grantfidelity.com/site/2010_California_Audio_Show_grant_fidelity…;. There you'll find a complete list of components on display, descriptions, and pricing. You'll even discover a host of photos taken at the show.

It was speaker technology last week, this week we go after amplifiers. What is your favorite amplifier technology and why?

The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.