LATEST ADDITIONS
Ayre Acoustics K-1 preamplifier
The Glimmer Twins were right: If you can't always get what you want, sometimes, you just might find, you get what you need. Take Ayre's K-1 preamplifier, for instance. I'd been trying to get Ayre to send me their $3750 V-3 power amplifier since the moment I started writing for <I>Stereophile</I>; after approximately a year and a half, I finally got a phone call from then Marketing Director Bruce Van Allen.
Audio Odyssey: Ken Kreisel of M&K
With 25 years of experience in sound recording, audio retailing, and loudspeaker design and manufacturing, Ken Kreisel has insightful things to say about just about any audio-related subject. The president of Miller & Kreisel Sound Corp. (M&K), Kreisel pioneered the satellite/subwoofer speaker concept that laid the groundwork for the home theaters of today. M&K's most recent offering—the S-150THX surround speaker system—is reviewed in this issue (see <A HREF="http://www.stereophile.com//loudspeakerreviews/137/">archived article</A>).
M&K S-150 THX Surround Loudspeaker System (SGHT Review)
In the summer of 1996, <I>SGHT</I> editor Lawrence Ullman made me an offer I couldn't refuse: "Wes," he asked, "how would you like to review M&K's new THX speaker package?"
Cutting Up: Stereophile's Liszt Piano Sonata LP
There has been much argument in audiophile circles about whether an LP or a CD is a more faithful representation of a master tape. Although we recorded Robert Silverman's thrilling performance of the Liszt B-Minor Piano Sonata for <A HREF="http://www.stereophile.com//features/131/">CD release</A>, we also had in mind to issue an LP. As the source for both would be the same, the question we can answer is: Will an LP cut straight from a 20-bit master tape via a Class A 20-bit DAC sound closer than a CD noise-shaped to 16 bits from the same 20-bit original?
Recording of March 1997: The Great Miles Davis Prestige Recordings
<B>MILES DAVIS QUINTET: <I>The Great Prestige Recordings</I></B><BR> Includes: <I>The New Miles Davis Quintet</I>, <I>Cookin'</I>, <I>Relaxin'</I>, <I>Workin'</I>, <I>Steamin'</I><BR> Miles Davis, trumpet; John Coltrane, tenor sax; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums.<BR> Analogue Productions APJ 035 (5 LPs). 1996. Bob Weinstock, original prod.; Rudy Van Gelder, original eng.; Chad Kassem, reissue prod.; Stan Ricker, mastering eng. AAA. TT: 3:11:09<BR> Music <B>*****</B><BR> Sonics <B>*****</B>
HeadRoom Max headphone amplifier
My name is Wes and I enjoy listening to music on headphones.
Recording of February 1997: The Age of Cathedrals
<B>THEATER OF VOICES: <I>The Age of Cathedrals</I></B><BR> Paul Elliott, Alan Bennet; Theater of Voices: Neal Rogers, Mark Daniel, Hugh Davies, Tom Hart, Boyd Jarrell; Paul Hillier, dir.<BR> Harmonia Mundi France HMC 907157 (CD only). Robina G. Young, prod.; Craig Silvey, eng. AAD? 1996. TT: 77:18<BR> Performance <B>******</B><BR> Sonics <B>*****</B>
Stereophile's Writers on an Audio Quest
Intermezzo: The Santa Barbara Sessions
<B><I>The justification of art is the internal combustion it ignites in the hearts of men.</I>—Glenn Gould</B>