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Last week's Comdex convention in Las Vegas showcased more examples of convergence between the consumer electronics and computer industries, especially in the areas of portable devices, home theater, and <A HREF="http://www.stereophile.com/news/10893/">digital audio</A>. DVD-Audio also received notice at the show, as chip developer <A HREF="http://www.zoran.com/">Zoran Corporation</A> announced the Vaddis V, its latest DVD multimedia processor, slated for mass production in spring 2001.

Not too long ago, the word "convergence" had everyone in the High End ready to duck'n'cover. Asia was on the ropes, and a shakeout was thinning the ranks of high-end audio manufacturers. Some US companies were marketing and selling most of their output to the Pacific Rim. The writing was on the wall: High-end was dead, and we'd all just better get used to listening to music on our computers.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In his very English way, Sony's then managing director for the UK, Tim Steele, was getting a touch, er, desperate. His oh-so-cultured voice rose a smidgen as he resorted to a direct selling of the benefits of what he was talking about. "Look, you're all sitting on riches," was his fundamental pitch. "You can sell music-lovers your entire back catalog all over again&mdash;at a higher price!"

Although Philips invented the Compact Disc, it was only when Sony got involved in the early 1980s that it was decided&mdash;at the prompting of conductor Herbert von Karajan, a close friend of Sony's then-president Akio Morita&mdash;that the CD should have a long enough playing time to fit Beethoven's Ninth Symphony on a single disc (footnote 1). Even if the conductor was using very slow tempos, and even given the minimum pit size and track pitch printable at the time, the 16-bit data and 44.1kHz sampling rate they settled on gave them a little margin.

Have you ever noticed a time of day when your musical enjoyment seems to be consistently at its peak?

When CDs were becoming popular, Neil Young made no secret of his disdain for the sound of digital. Interviews from the period quoted him as saying that the sound "left him cold," and he would rather listen to an LP, thank you very much. To this day, his new CD releases also appear on vinyl, but with the advent of DVD-Audio, sampling and quantization rates have improved&mdash;enough, apparently for Mr. Young's approval.