LATEST ADDITIONS

VPI TNT V-HR turntable & JMW 12.5 tonearm

I'm a tinkerer. From homemade audio isolation and room-treatment products to a local area network (LAN) connecting my Macintosh laptops, I'm always building or modifying something. One of my latest projects is a combination of parts swaps and custom-machined bits to better adapt the ergonomics of my exotic Italian Bimota motorcycle to my distinctly un-Italian 6'3" frame. But regardless of what I'm into, I can't resist the urge to tinker.

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Copyright or Copywrong?

It seems that all of the forces in the music industry have lately been conspiring against the music lover and audiophile. The record labels and their hired gun, the Recording Industry Association of America (RIAA), have so far blocked digital outputs on high-resolution audio players, insisted that watermarks be inserted into both high- and low-resolution audio data, and have even started to <A HREF="http://www.stereophile.com/news/11178/">restrict</A&gt; consumer's fair use of compact discs and digital downloads.

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A Year to Remember

As I sit down to write a year's-end musical retrospective, I feel that the old column-writing joke between Stereophile editor John Atkinson and myself about first needing a subject and, second, needing it to make sense, will not be a problem this time out. For me, the music and almost everything else about 2001 have been dwarfed in importance by the mayhem wreaked on New York on September 11.
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The Restorative Power of Music

It was an unusually fine day for a New York September. The W train crept from the subway tunnel into the sunlight of the Manhattan Bridge—"My God, the World Trade Center's on fire!" came the voice of the woman driving the train. I vividly remember what I did the rest of that day—the day the world terribly changed.
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