FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Hi-Rez Goes Mobile

As some readers may suspect, more music is heard in the automobile than in the home. Taking a clue from this trend, many high-end audio companies are finding their way into your car, and factory installed systems are getting better and better. Examples include the Mark Levinson audio system found in cars from Lexus, the debut of Lexicon's L7 surround system in a BMW at the 2002 CES, Linn's <A HREF="http://www.stereophile.com/news/11285/">partnership with Aston Martin</A>, Harman's partnership with Mercedes Benz, and the Dynaudio/Dolby Surround systems found in several of Volvo's cars.

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Instant Radio

Historically, radio stations have only partially cooperated with record label attempts to control when and where an important new record is first aired. It's not unusual for a new album or single to be "embargoed" until a specific date by the labels, with stations often competing with each other to find ways to get around this restriction and be first to air a hot new song.

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Bluesman Jimmie Lee Robinson Passes Away

I never "got" the spurs with which Jimmie Lee Robinson provided a percussive accompaniment to his singing and guitar playing, but I became a fan of Jimmie Lee's when I saw him perform on two successive nights at <A HREF="http://www.acousticsounds.com">Acoustic Sounds</A>' first blues festival in Salina, Kansas in September 1998. His subsequent live appearances at Consumer Electronics Shows and at HI-FI '99, Home Entertainment 2001, and HE2002 on behalf of Acoustic Sounds' associated <A HREF="http://www.analogueproductions.com">APO label</A>, were highlights of those events. (I took the accompanying photo at Jimmie Lee's May 31 <A HREF="http://www.homeentertainment-expo.com">HE2002</A&gt; gig in New York with harmonica player Wild Child Butler.)

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Simaudio Moon i-5 integrated amplifier

With this review I conclude an audiophile's progression through the price/performance ratios of three very musical solid-state integrated amplifiers: the NAD C370 ($699, reviewed in January 2002), the <A HREF="http://www.stereophile.com//amplificationreviews/516/">Arcam DiVA A85</A> ($1499, February 2002), and now the Simaudio Moon i-5 ($2595). In the process I was fascinated to hear how each amp recommended itself to its targeted price point. Likewise, it was most instructive to hear how they spread their compromises around. With a rough doubling of suggested retail price from the NAD to the Arcam, there was a degree of sonic refinement introduced. However, the leap in improved sound from the Arcam to the Simaudio was more significant. And in quantifying the benefits another $1000 worth of enhancements can confer, I discovered what constitute real high-end bona fides.

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Recording of July 2002: The Last Waltz

<B>THE BAND: <I>The Last Waltz</I></B><BR> Warner Bros./Rhino Entertainment R2 78278 (4 CDs). 1978/2002. Robbie Robertson, prod.; Rob Fraboni, John Simon, co-prods.; Larry Samuels, exec. prod.; Terry Becker, Tim Kramer, Elliot Mazer, Wayne Neuendorf, Ed Anderson, Neil Brody, engs. AAD? TT: 4:10:16<BR> Performance <B>*****</B><BR> Sonics <B>****?</B>

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Wilson Audio Specialties Sophia loudspeaker

Of the small number of times I have been totally swept away by listening to recorded music, a significant proportion have involved loudspeakers from Wilson Audio Specialties. It was my experience of their X-1/Grand SLAMM in the listening rooms of reviewer Martin Colloms, then-retailer Peter McGrath, designer Dan D'Agostino of Krell, and manufacturer Madrigal Audio Labs, that led me to name it my "Editor's Choice" for 1995 and join my vote with those of the <I>Stereophile</I> scribes to make it the magazine's "Loudspeaker of the Year." I wrote in <A HREF="http://www.stereophile.com//asweseeit/470/">my December 2001 "As We See It"</A> about how a cross-country road trip had begun with a listen to the <A HREF="http://www.stereophile.com//features/465/">Cantus CD</A> on the Wilson WAMMs in <A HREF="http://www.stereophile.com//interviews/478/">their designer's</A> Utah listening room. And, as I wrote in <A HREF="http://www.stereophile.com//asweseeit/557/">my April column</A>, auditioning Peter McGrath's 24-bit <A HREF="http://www.stereophile.com//digitalsourcereviews/461/">Nagra-D</A&gt; master tapes on Wilson MAXXes in the Halcro room was, for me, the highlight of the 2002 CES.

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