Mark Evanier's <A HREF="http://www.newsfromme.com/archives/2007_01_21.html#012795"><I>News From ME</I></A> points us to Wednesday's TCM broadcast of Billy Wilder's <I>The Big Carnival</I>. Why should you care? It's about as cynical a meditation on media manipulation as you're likely to see—and it is rarely shown. Paramount hated it (and its floppo status) so much that it deducted its <I>Big Carnival</I> losses from Wilder's <I>Stalag 17</I> profits.
Chris Hedges writes about writing <I>American Fascists: The Christian Right and the War on America</I>. He has interesting things to say about the "theology of despair" and its conclusion that cataclysmic destruction is preferable to this too flawed world.
And, if you're still feeling blue on this particularly gloomy Monday, check out <a href="http://sobremesauk.blogspot.com/2007/01/cheer-up-1960s-style.html">toda… Sobremesa entry</a>.
You think the evolutionary path from glider to flier was simple? Think again.
Over at <I>Living In Stereo</I>, Steve Messick argues that Southside Johnny has been making the records of his career over the last six years. Forced to tour without his legendary Southside Jukes largish band, Johnny and guitarist Bobby Bandiera have stripped down his R&B sound to its blues skeleton, Messick says.
Steven Pinker has some interesting thoughts about language and the brain, but 'm linking to this article mostly because I can't resist its headline.
I sat down to write the introduction to the 2006 edition of <I>Stereophile</I>'s annual "Records To Die For" extravaganza, and what popped into my head? Why, death, of course. After that, dead rock stars. What a concept. I mean, talk about dying for music.
The one thing I've liked about designer Mike Creek of Creek Audio as much as his design talent is his predictability. I've been following his integrated-amplifier designs for nearly 20 years now, having reviewed, in sequence, the CAS4140s2 (for another magazine), the 4240SE (<I>Stereophile</I>, December 1995, Vol.18 No.12), and the <A HREF="http://www.stereophile.com/integratedamps/327">5350SE</A> (March 2001, Vol.24 No.3). In each case, I was sufficiently impressed with the review sample that I bought it and made it my new reference in my second, affordable system. The predictable part comes from Creek's traditional nomenclature: an "s2" or "SE" (Special Edition) designation has always denoted a modest upgrade, and a numerical uptick in the model number a more significant upgrade, the level of significance denoted by the specific digit being increased. Hence, the update from 4240 to 5350 is intended to indicate a greater improvement in sound than the update from 4140 to 4240.
Older audiophiles remember the splash NAD made in the late 1970s with the introduction of their 3020 integrated amplifier ($175). Ridiculously cheap, it looked graceful and sounded warm, inviting, and holographic. Removable jumpers between the 3020's sections permitted enthusiasts to determine whether the magic resided in its preamp, its power amp, or in some synergy of both.
