LATEST ADDITIONS

The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first <A HREF="http://www.stereophile.com/standloudspeakers/1293harbeth/">reviewed it</A> in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic <A HREF="http://www.stereophile.com/standloudspeakers/361/">BBC-designed LS3/5a</A> for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.

Whenever I think of Totem Acoustics, I tend to associate the Montreal-based company with relatively affordable high-performance speakers like the Model One and The Forest. But designer and founder Vince Bruzzese has attempted to reach for the stars with his floorstanding WInd design ($12,500/pair, according to the cryptic spider scratchings in my reporter's notebook) . Acquisition of a new CNC wood-working machine has allowed him to update the Wind, and at CES, Totem was showing the latest version, finished in high-gloss automotive paints. (The speaker shown with Vince is finished in "De Tomasso Blue.")

Loudspeaker manufacturer VMPS ran a series of live-<I>vs</I>recorded dems throughout the four days of CES, at the Zeus Ballroom in T.H.E. Show's Alexis Park venue. In dems organized by VMPS's Brian Cheney, groups of musicians and singers first performed live while being recorded by some of Ray Kimber's staff in DSD, using crossed figure-8 mikes, Millennia Media mike preamps, and Meitner converters. The recording was then played back on VMPS speakers and subwoofers, driven by Ampzilla amplification, with Audience Adept Response power conditioning and Audience Au24 e cables. The playback level was matched to that of the original, allowing legitimate comparisons. (The mikes were close enough in the solo singer dem I witnessed to minimize the double contribution of the room acoustic.)

For those for whom the mere mention of the price of a Tenor Audio amp sends their voice into the soprano range, PrimaLuna's multi-tiered line of triode amplification may help them descend to earth.

Directly across the hall from the PrimaLuna exhibit, I discovered its somewhat more expensive big brother line, Myst&#232;re. While PrimaLuna amps operate in triode mode, Myst&#232;re gives you the sound of tetrode. These aren't high power babies&#151;the ia11 integrated amp ($1995) puts out 40Wpc watts and the ia21 integrated amp ($2995) gives you 50Wpc. The electronics are manufactured with a different partner in China, and are the dream project of their designer.

Thiel's PR wonk Micah Sheveloff grabbed me as I walked past the room in the Sands Convention Center Thiel was sharing with Bryston to meet with Frank G&#246;bl of Canton. "You've got to hear the new CS2.4 Special Edition." As Wes Phillips had been mightily impressed by the original CS2.4 ($4900/pair) when he <A HREF="http://www.stereophile.com/floorloudspeakers/1105thiel/">reviewed it</A> in November 2005, I looked at my watch. Enough time. I went into the dem room.

I can't believe that it's been 21 years since Thiel founders Jim Thiel and Kathy Gornik and I emptied the first of many bottles of fine wine talking about music and loudspeakers. But here they are, snapped outside the dem room they were sharing with Bryston and Wireworld, as passionate about audio, music, and the high-end audio industry as ever. And in the case of Kathy, looking even better than ever!