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LATEST ADDITIONS

Better This Way

Rega’s <a href="http://www.stereophile.com/turntables/708rega/">outstanding P3-24 turntable</a> is available in lots of fun colors, and even though I do love my white P3, I still suffer from color envy. I want a green one, a blue one, an orange one, <a href="http://blog.stereophile.com/ssi2010/regas_p3-24_is_pretty_in_pink/">a pink one</a>. I would like a different P3 for every day of the week, a P3 for my every mood. I wonder if the different colors have different sonic properties. For instance, does my white P3 sound <i>purer</i> than a black P3? Are certain colors better suited to certain types of music? Blue for the blues?

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Bel Canto Ref1000M monoblock power amplifier

I've been enthusiastically tracking the development of Bel Canto's class-D amplifiers, from their original <A HREF="http://www.stereophile.com/amplificationreviews/442">TriPath-based models</A> to their <A HREF="http://www.stereophile.com/musicintheround/1106mitr">more recent designs</A> based on Bang &amp; Olufsen's ICEpower modules. With each step, Bel Canto has improved their amps' sound quality and reliability.

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Jason Moran's Ten

Jason Moran’s <I>Ten</I> (Blue Note) commemorates the 10th anniversary of his trio called Bandwagon (with Tarus Mateen on bass, Nasheet Waits on drums), and it’s by far the group’s best recording, maybe Moran’s best all told, which, if so, would mean it surpasses his 2002 solo disc, <I>Modernistic</I>, which is saying a lot. Whether it does or not (I’m still mulling), this is a great album, that much is certain.

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Ortofon MC-2000 MC phono cartridge

Although the idea of a $1000 moving-coil cartridge no longer shocks audiophiles, it is still not exactly what I'd call "Mainstream Hi-Fi." <I>Audio</I> magazine's <I>1984 Equipment Directory</I>&#151;the most complete such compendium published in the US&#151;lists only 10 models in this price range, not counting the Kiseki Lapis Lazuli at a whopping three-and-a-half grand! I have not tested most of these, nor have I tried any of the current models from the Japanese Koetsu firm, which was first with the gall to put a $1000 price tag on a cartridge. But I have tested a couple of one-granders during the past few years, and was sufficiently unimpressed to be hesitant about testing any more samples of what were beginning to look like nothing more than monumental ripoffs. So when Ortofon sent us the MC-2000, I was naturally less than enthusiastic about trying it.

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A Special Tweeter

This is the Ion TW1S tweeter module found in the Acapella High Violoncello II loudspeaker ($80,000/pair). As you can see from this picture, taken in JA’s listening room, the tweeter module rests beneath the Acapella’s midrange enclosure. (That big, purple bell&#151the color is actually Porsche Amethyst&#151has a diameter of 18.5”.) Housed in a perforated metal box and powered with its own AC cord, the tweeter module is a completely self-contained unit; it accepts a line-level input from an RCA jack and amplifies the signal with a class-A amplifier.

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Is Jazz a Young Person's Music After All?

A week ago, I went to see Chris Potter lead a top-notch quintet at the Jazz Standard. It was a great set. Potter’s big tenor-sax sound keeps getting more swinging, more virtuosic, yet at the same time tonally subtler. Joining him were Steve Nelson on vibes, Paul Motian on drums, Craig Taborn on piano, and Scott Colley on bass. Potter was smiling a lot during their solos, as if he couldn’t quite believe that he’d assembled such a crew.

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