LATEST ADDITIONS

Let's go back a few years. Well, more than a few, actually. The electronics end of high-end audio consisted of two companies—Marantz and McIntosh. If you were not up to shopping at their stratospheric price level—even though the industry hadn't yet invented components priced to compete with automobiles—you could always fall back on Dynaco, the poor man's high end in kit form. You hooked all this together with two-dollar connecting cables and 16-gauge zip cord purchased from the local electrical supply house, or—if you felt particularly flush—you'd spend a few (very few) bucks more at Fred's Stereo for the cables with the fancy molded plugs. Hoses were used for watering the lawns.

When we first heard rumors that Shure Brothers was about to unleash something called "trackability" on the audio world, our reaction was mainly one of indifference. We already had loudspeakers with listenability, tape recorders with portability, and amplifiers with stability and dependability. Trackability, we figured, was just another clever sales gimmick; a catchy word that the advertising department had thought up to describe what everyone wanted in a pickup.

Chicago dealer Musical Artisans will host their winter open-house event on Saturday, November 14, from 6:30–9:30pm, featuring the North American premiere of four exciting products. Ulrik Madsen, President and lead engineer at Argento Audio and Organic Audio will present the official introduction of the new Organic Reference cable line, and the world premiere of the FMR Extreme Edition interconnects. Irv Gross, Vice President of Sales at Constellation Audio will present the Virgo III preamplifier and all-new Centaur II amplifier in their first appearance at a US dealer. Allan Moulton, US Market Representative for Kharma, will debut the new-generation Exquisite Midi-Grand loudspeakers featuring the radical new F-Driver technology.

For many years the centerpiece around which much of New Orleans music revolved, he was the last in a long line of New Orleans piano professors.

The word flagship takes on new meaning when the product in question is literally the size of a small boat; so it is with MartinLogan's 75"-tall, 385lb Neolith loudspeaker ($79,995/pair), which combines electrostatic and dynamic transducers in a high-tech phenolic frame. Appropriately enough, the Neolith's appearance at the Rye Brook Hilton took place in one of the two largest rooms reserved for the New York show. (One day after the show, I'm still not sure if those are sound-enhancing accessories, objets d'art, or dinner plates on the wall behind the Neoliths: There exist some questions that even the bravest reviewers are too squeamish to ask.)

The day after I met manufacturer/industrial artist David Stanavich, it dawned on me why I was so taken with his Waxrax record racks: These sturdy, stylish, steel-and-aluminum structures resemble the shelving in my elementary school's library, ca 1960. If I could, I'd fill my home with multiples of the Waxrax LP-V3 tower seen here (LP capacity: 550). But at approximately $4000 per unit, depending on finish and options, this Brooklyn-built rack is too pricey. (To store 550 LPs for $4k works out to over $7 per record—which is more than many records themselves are worth.)

This pair of accomplished downers have a fiercely loyal following who like to get gothic.