Classical Gas
I've been checking out the Creative Commons–licensed MP3s at <I>Musikethos</I>. If you dig classical music, you'll find a lot to admire there.
I've been checking out the Creative Commons–licensed MP3s at <I>Musikethos</I>. If you dig classical music, you'll find a lot to admire there.
As anyone who has talked me me even briefly over the last month knows, I loved reading <I>King Dork</I>. It's a young adult novel that's one-half rant against <I>Catcher In the Rye</I>, one-half spoof of <I>The Da Vinci Code</I>, and one-half Encyclopedia Brown in the 21<SUP>st</SUP> Century. Yeah, I know that adds up to more than one, but that's how good it is. It's also very knowing about rock trivia and absolutely spot-on about what it feels like to be an "uncool" teen.
"Don't stay too late," JA says, on his way out of the office.
Good news: It's in the ventromedial nucleus (VMN) in the hypothalamus.<BR>Bad news: As an audiophile, I emanate vibes that shut it down.
My fellow blogger <A HREF="http://blog.hometheatermag.com/markfleischmann/">Mark Fleischmann</A> has taken his <I>Happy Pig's Hot 100 New York Restaurants</I> online. The listings are available by neighborhood, alphabetically, or by type of cuisine.
"I don't get why some audiophiles still think that saving data using a lossless compression scheme like FLAC or Apple Lossless sounds any different than an uncompressed CD file," says <A HREF="http://www.sonos.com">Sonos</A> founder and VP of Sales and Marketing Thomas S. Cullen between bites of white fish shish kebab. "It's just mathematics, and the results are sonically identical, but you save half the space on your hard drive."
It's interesting: A small change can make such a big difference. I wake up, force myself out of bed, walk into my living room, and stop to admire the so-slightly-revised layout. So slight, the revision is, but I love it. It just seems right. It seems
Back when everyone was rushing to convert LPs to CDs, the boxed set was a wondrous thing. The rush to "box" every artist propelled the record biz to some of their best Christmas seasons ever. It even inspired some labels to get off their then wealthy asses and dig around the vaults to find that most marvelous of record label offerings, the "bonus track."
Where does one start with the Moscode 401HR? With its design, which marries a tube driver stage to a MOSFET power output? Or perhaps with its designer, George Kaye, who refined Julius Futterman's OTL amplifier circuits before creating New York Audio Labs' original hybrid amplifier, the Moscode 300, in 1984?