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LATEST ADDITIONS

Anna Netrebko

Who can resist an article that begins like this? "The sniffles of a diva are like the tantrums of La Nina: a tropical depression in the Pacific is ready, by the time it gets to the North Atlantic, to produce lightning bolts, pelting hail and a deluge of biblical ferocity."

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Joint Recording of November 1992: Wagner: Götterdämmerung

<B>WAGNER: <I>G&#246;tterd&#228;mmerung</I></B><BR>
Eva Mart&#243;n, Br&#252;nnhilde; Siegfried Jerusalem, Siegfried; John Tomlinson, Hagen; Thomas Hampson, Gunther; Eva-Maria Bundschuh, Gutrune; Marjana Lipovsek, Waltraute; Theo Adam, Alberich; Jard Van Nes, First Norn; Anne Sofie von Otter, Second Norn; Jean Eaglen, Third Norn; Julie Kaufmann, Woglinde; Silvia Herman, Wellgunde; Christine Hagen, Flosshilde; Bavarian Radio Symphony Orchestra & Chorus; Bernard Haitink<BR>
EMI CDCD 54485 (4 CDs only). Wolfram Graul, Peter Alward, prods.; Martin W&#246;hr, eng. DDD. TT: 4:17:42

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Krell KSA-250 power amplifier

I still have fond memories of my first Krell amplifier, a KSA-50. Back in those days (date purposely omitted), my principal source of audio equipment reviews, aside from <I>Stereophile</I> and <I>The Absolute Sound</I>, was <I>Hi-Fi News & Record Review</I>, which I read voraciously from cover to cover every month. One fateful day while sitting by our community swimming pool, I happened upon an enlightening review of the KSA-50 written by none other than our own John Atkinson, editor of <I>HFN/RR</I> <A HREF="http://www.stereophile.com/asweseeit/352">at the time</A>. His words describing "the steamroller-like inevitability of the bass with this amplifier" haunted me for weeks, until I got up the nerve to audition, and ultimately purchase, my first Krell product.

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