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LATEST ADDITIONS

Elizabeth's Last Day

Friday, June 20th, was Elizabeth Donovan's last day at work. We left the office together, and walked across the street to Mulligan's Pub. Elizabeth carried a large backpack, a box of books, a lamp. The place was packed, but we found a little space by the door, beneath an air conditioning unit.

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Avalon NP Evolution 2.0 loudspeaker

After a year spent exploring the best that can be obtained from minimonitor loudspeakers, I embarked on what will be an equally long examination of what floorstanding towers have to offer. I began with the <A HREF="http://www.stereophile.com/floorloudspeakers/1207sonus">Sonus Faber Cremona Elipsa</A> ($20,800/pair) in December 2007, followed in 2008 by: in February, the <A HREF="http://www.stereophile.com/floorloudspeakers/208kef">KEF Reference 207/2</A> ($20,000/pair); in April, the <A HREF="http://www.stereophile.com/floorloudspeakers/408psb">PSB Synchrony One</A> ($4500/pair); and in May, the <A HREF="http://www.stereophile.com/floorloudspeakers/508mag">Magico V3</A> ($25,000/pair). For this review, I've been listening to a speaker aimed at those with shallower pockets than are required even for the PSB: the Avalon NP Evolution 2.0, which costs just $1995/pair.

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This Is Our Music

Fortunately, I didn't have to rob any banks or max out my credit cards this weekend. I didn't even have to travel to Africa. The crazy heat and humidity (Footnote for Jaclyn Gooding), however, made it feel like high noon in the Kalahari Desert. Simply sitting at my kitchen table, my laptop (Footnote for AlexO) open and our April 2008 issue turned to page 155, was a kind of dull, hot torture.

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Wilson Audio Specialties WITT loudspeaker

"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

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B&W Matrix 800 loudspeaker

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.

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