LATEST ADDITIONS

As I walked into the E.A.R./Marten room, Nat King Cole's voice sounded as beautiful as I have ever heard it reproduced. Through the modest-looking Marten FormFloor speakers ($6500/pair) and Marten FormSub ($4500), Reference Recordings' triumphant version of Rachmaninoff's <I>Symphonic Dances</I> was so thrillingly full and colorful that I could not hide my amazement. On <I>Dialoghi</I>, a demonstration-quality CD from Bob Attiyeh of Yarlung Records that Robert Levi of the Los Angeles Audio Society urged me to play, the sound of Elinor Frey' cello was as warm and beautiful as anyone would ever want it to be. I was in love.

Lou Hinkley's Daedalus Audio teamed up with an old friend, Art Audio/Gill Audio, and a new friend, Manley Labs. Showcasing the Daedalus Audio Ulysses loudspeaker ($10,950/pair), now boasting new improved internal wire, the system's dark presentation was very well delineated, with impressively three-dimensional sound. The midrange was especially mellow and inviting.

Boy, is it hard to take a good photo when a company purposely leaves the shades behind their equipment wide open. But given that Darren Censulo of Avatar Acoustics (now relocated to Fayetteville, GA) had tuned the room with Frank Chang's Acoustic System International Resonators so that it would sound great with all that exposed glass, asking him to close the shades in order to snap a clearer picture was out of the question.

Remember <a href="http://blog.stereophile.com/rmaf2008/mentoring_and_audio_shows/">that trend I mentioned earlier</a>, the one about manufacturers and dealers bringing their kids along to the show?

Oh man. You see this record? It was only fifteen bucks. I really wanted it. I mean, it was kind of just there, looking at me, asking me to love it.

Old and young&#151I mean, young and younger&#151dirtying their fingers and nourishing their souls, digging through the crates of vinyl.

And it's always a pleasure to catch up with Music Direct's Besflores Nievera.