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Kate Colquhoun reviews Martin Jones's <I>Feast: Why Humans Share Food</I>. At first I thought the article's title was absurdly inflated, but I was convinced by the time Colquhoun wrote: "To mangle Brillat-Savarin, he dissects not just what early humans ate, but how they ate, in order to draw conclusions about who they were. In the process, he proves once again that food and the ways we have chosen to process and proffer it can be more revealing than any other historical or prehistoric artefact."

Chandler Phillips thought he was applying to <I>Edmunds.com</I> for a job writing an advice column on buying and leasing cars. The editors had a better idea. They asked him to go undercover and work as a salesman at two lots: a high-pressure import dealership on the "auto mile" and a no-haggle American showroom.

Michael Ventura gets off the main roads and reports on the state of the union. The kids are leaving.

More than a decade ago, I bought a new pair of speakers and sought to find the most suitable cables for them. After auditioning a number of borrowed sets, I enlisted my daughter to confirm my selection. She grew up in a household where there was always good music playing on good equipment, but had no active interest in either. To placate Dad, she listened to a few of her own recordings with each of the various cables and then, lo and behold, reached the same conclusion I had. In fact, she described the differences almost exactly as I would have. I was ecstatic. Not only did it confirm my opinions about the cables, but it confirmed to me that any motivated listener can hear what golden-ear audiophiles obsess about. As I tried to express my joy to her, she left the room with this parting shot: "Yes, of course, but who cares?"

My first exposure to Burmester electronics was some years back at a New York Hi-Fi Show, where they were powering a pair of <A HREF="http://www.stereophile.com/floorloudspeakers/207">B&W 801</A>s and impressed the hell out of me. But Burmester's distribution seemed sporadic and the prices beyond my consideration, so I put them out of my mind.

In some ways, building an inexpensive yet musical two-way loudspeaker is a greater design challenge than creating a cost-no-object reference product. Although the latter is a much more complex endeavor, the venerable two-way box seems to bring out the creativity and resources of the designer. Rather than throw money at the product in the form of more expensive drivers, enclosures, or components, the designer of a low-cost two-way is forced to go back to the basics, rethink closely-held tenets, and rely on ingenuity and sheer talent to squeeze the most music from a given cost. Consequently, the inexpensive two-way is the perfect vehicle for designers to develop their skills. If one has mastered this art form, one is much more likely to achieve success when more ambitious designs are attempted.

Tweeter Home Entertainment Group announced a massive "restructuring" of its operations on March 22. The chain will close 49 stores, including all operations in California, New York, Alabama, and Tennessee, and trim its workforce by 20%. The chain's remaining 104 stores will be remodeled to conform to the chain's current "CE playground" theme.