"Even right out of the box, it's obvious that the <A HREF="http://www.stereophile.com//digitalsourcereviews/540/">Wadia Digital 861 CD player</A> is something special," writes Brian Damkroger in this month's issue. "Its heft and finish are beyond the usual high-end standards." But how about the sound?
Both SACD and DVD-Audio have been slow finding their way into higher-end players. Sony dominates the market for SACD, and the other major consumer electronics manufacturers are trickling out DVD-A and universal players. The few exceptions include SACD machines from <A HREF="http://www.stereophile.com//digitalsourcereviews/474/">Classé</A> and <A HREF="http://www.stereophile.com//digitalsourcereviews/340/">Accuphase</A>. Soon to be added to the list: Linn.
<IMG SRC="/images/newsart/2002monshow.1.jpg" WIDTH=150 HEIGHT=100 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>Is it the low exhibitor rates? The excuse to visit Montreal, perhaps North America's most cosmopolitan city? The efficiency and charm of organizer Marie-Christine Prin and her assistants? Whatever the reason(s), Montreal's <I>Festival Son & Image</I> has become a real success story, attracting an ever-increasing array of exhibitors and audiophiles from far and wide. Last year, the Festival spilled over from the downtown Delta Hotel to the Four Points Sheraton across the street; this year, there were exhibits in the Holiday Inn next door as well.
If Senator "Fritz" Hollings has his way, coming generations of electronic products will monitor their users' behavior and report possible copyright violations to some governmental regulatory agency. That's one of the more ominous provisions in Hollings' Consumer Broadband and Digital Television Promotion Act (CBDTPA), introduced for consideration by the US Senate the third week of March. The bill goes far beyond the Digital Millennium Copyright Act, passed in 1998.
My life is characterized by periods of relative calm interrupted by huge transitions. This last year has been a doozie, with changes in just about every aspect of my life: new cars, motorcycles, and guitars, new jobs and relationships, and, finally, the contemplation of a cross-country move. With a little bit of luck, all of this upheaval will end in a long period of relative calm.
Considering that so many people carped about the lack of good music and the overall poor recording quality in the last couple of Votes, I think there should be a poll asking, 'What's your favorite audiophile record label?' says reader Travis Cunningham. He'd also like to hear what people think about the sound each label achieves.
The affordable universal disc player may yet become a reality—if <A HREF="http://www.philips.com">Royal Philips Electronics</A> has anything to do with it.
Michael Fremer gets a chorus of <I>oohs</I> and <I>ahhs</I> as he sets up the <A HREF="http://www.stereophile.com//amplificationreviews/535/">Hovland Sapphire power amplifier</A> in his listening lair. While the Hovland is certainly a sweet-looking amp, MF rightly points out that "looks alone don't sell hi-fi equipment in the specialty audio market—especially when you're asking $7800 for a 40Wpc two-channel amplifier."
Chad Kassem is a true audio renaissance man. For years he has headed <A HREF="http://www.acousticsounds.com/">Acoustic Sounds</A>, supplier of select recorded musical treasures from a variety of audiophile and specialty labels. Kassem also has his own label, Analogue Productions, which produces reissues, revivals, and a series of original recordings under the label APO Records.