LATEST ADDITIONS

Consider the plight of solid-state muscle amps. Often derided as brutes lacking sophistication or subtlety, particularly by the SET set (<I>ie</I>, fans of single-ended triodes), these powerhouses are taken for granted and often, like Rodney Dangerfield, they get no respect. And once upon a time, the stereotypes were true. Every veteran audiophile has at some time heard an immensely powerful transistor amp that had the soft sonic allure of a sheet of sandpaper, a lumbering oaf of a component with nothing whatsoever to recommend it save for a bulging set of mighty moose muscles.

"Commoditization leads to the death of a specialty industry!" Hearing this at what I'd anticipated would be a sleep-inducing seminar on marketing, I pricked up my ears. The speaker was management guru Tom Peters, author of the best-selling <I>In Search of Excellence</I> and <I>The Pursuit of WOW!</I>. "Once your product is commoditized, all that is left to compete on is price," Peters continued, as I frantically scrawled down his comments, "and a small company will <I>always</I> lose to the big guns on price!"

The upbeat is the most magic moment in classical music making. Before the conductor brings down his baton for the downbeat, anything and everything are possible in the musical journey that is about to begin. And the upbeat to Mozart's sublime Clarinet Concerto that conductor Robert Bailey was about to give in London's Henry Wood Hall last November gave me an extra frisson&mdash;as producer of the recording sessions, I would have to pronounce instant judgment on everything I was about to hear.

Running counter to the music industry's paranoia concerning the perils of modern digital technology, some musicians <I>want</I> you to share their music&mdash;within limits. <A HREF="http://www.garageband.com">GarageBand.com</A&gt;, which bills itself as "the world's largest musician community," announced June 7 that it now offers the Creative Commons Music Sharing License as an optional tag for all songs uploaded to its website.

For some time now, the truly hip Web-enabled person of stature has shared his or her thoughts with the world via a blog (from we<B>b</B> <B>log</B>); these days actors, musicians, and, yes, even politicians are getting into the act.

Nobody would claim that Web radio sounds great, but sometimes you can't beat the Internet for variety and convenience. Do you ever listen to online "radio"?

<B>CHRIS STAMEY: <I>Travels In the South</I></B><BR>
Yep Roc 2033 (CD). 2004. Chris Stamey, Jefferson Holt, prods.; Don Dixon, Greg Elkins, prods., engs.; Tim Harper, Brian Paulson, John Plymale, Wes Lachot, Logan Matheny, Dan Korneff, engs. AAD. TT: 52:30<BR>
Performance <B>****</B><BR>
Sonics <B>***</B>