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All but forgotten in the field of surround sound are the efforts of UK classical music label <A HREF="http://www.wyastone.co.uk">Nimbus Records</A>. More than 25 years ago, Nimbus recorded with Peter Fellgett and Michael Gerzon's two-channel&ndash;compatible, matrixed UHJ Ambisonic Surround system, using multi-capsule Calrec Soundfield microphones. Other labels, including Unicorn-Kanchana, also supported Ambisonic, releasing such rarities as a UHJ Ambisonic recording of the soundtrack to <I>North By Northwest</I> on LP. Playback decoders were available from the UK's National Research and Development Council (NRDC) and speaker manufacturer IMF. As timing would have it, the Ambisonic releases appeared when users could still recall the unfortunate experience of 1970s quadraphony, and Dolby Digital was still some years off. However, those who have heard proper demonstrations maintain that the UHJ Ambisonic technique remains the most convincing surround-sound format ever.

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With its new Walkman music player, Sony has broken with its tradition of promoting its own proprietary formats. The NW-HD3 will let users import and export tracks in the MP3 format, a concession to the format's near-universal popularity and an admission of the failed appeal of Atrac, Sony's own music-playing software. MP3 compatibility should give the player appeal to a wider audience than a Sony-only machine.

A friend recently explained that he favors "chance and luck when choosing components." Do <I>you</I> think a little unexplained audio mystery a good thing? Do you like to carefully study the physics of your room and the technology behind the components, or do you prefer to go with your instinct for good sound?

Mastering engineer Denny Purcell let out a long sigh. "Does anyone in this room believe that any of this is going to do any good?" he asked. Of the eight or nine people&mdash;each with decades of experience in the music and/or audio industries&mdash;hanging out at Georgetown Masters Studios for SDMI's Phase II listening tests this past October, not one said "Yes." The consensus: the <A HREF="http://www.stereophile.com/asweseeit/2002awsi">watermarking issue</A> will probably be dead and forgotten within a year.

Someone once said that if you build a better mousetrap, the world will beat a path to your door. Well, this month, we will see not one but <I>two</I> better mousetraps, in the form of Sony's and Philips' Super Audio CD and the DVD Forum's DVD-Audio. Both are intended to replace the humble CD, now in its seventeenth year; both offer higher-resolution digital audio; and both offer multiple channels. To accompany SACD, Sony's $5000 SCD-1 two-channel player is now on sale (and will be <A HREF="http://www.stereophile.com/digitalsourcereviews/180">reviewed</A&gt; in the November <I>Stereophile</I>), while Panasonic has announced October sale dates for two DVD-A players, the $1000 Panasonic DVD-A7 and the $1200 <A HREF="http://www.stereophile.com/digitalsourcereviews/300">Technics DVD-A10</A>.

Audiophiles have a mess on their hands. In a somewhat surreal press conference in May, a half dozen audio luminaries&mdash;representing Sony, Philips, and several titans of the high-end recording business&mdash;stood on a HI-FI '99 stage looking awkwardly at the audience.