KEF Reference 201/2 loudspeaker
In the waning days of 2007, I delivered some small audio doohickey to John Atkinson one weekend afternoon. "Come down to the listening room," he said. "I want you to hear something."
LATEST ADDITIONS
Continue Reading »
This Is Our Music
Fortunately, I didn't have to rob any banks or max out my credit cards this weekend. I didn't even have to travel to Africa. The crazy heat and humidity (Footnote for Jaclyn Gooding), however, made it feel like high noon in the Kalahari Desert. Simply sitting at my kitchen table, my laptop (Footnote for AlexO) open and our April 2008 issue turned to page 155, was a kind of dull, hot torture.
Wilson Audio Specialties WITT loudspeaker
"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.
B&W Matrix 800 loudspeaker
We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.
Do you ever buy LPs that you never open to sell later?
We all know that vinyl collectors like the sound and feel of a 12" LP, but reader DAB suspects many of you horde sealed copies of LPs to sell later. Do you ever buy LPs that you never open to sell later?
A Good Turntable
Some people might wonder what it is about me and <a href="http://www.stereophile.com/turntables/708rega/">the Rega P3</a>. Why would I simply settle on the old Rega when there are so many other similarly priced turntables out there?
Fuck and Run
Calling anything “IMPORTANT,” particularly a record, often sucks the life out of it and dooms it to a kind of overly academic hell to be debated by talking heads and those that “were there.”
Sony PlayStation 1 CD player
My home, which overlooks a dairy farm, is easy to see from a mile away, invisible from the end of its own driveway. Elevation: 1345'. Population: 3.
Celebrate Good Times, Come On!
<object width="450" height="344"><param name="movie" value="http://www.youtube.com/v/pt7uu0-wPuo&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/pt7uu0-wPuo&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="450" height="344"></embed></object>
The Art of the Turntablist
In a sense, DJ Shadow and Cut Chemist are music historians and preservationists. In "The Hard Sell," they take us on a scratching, mixing, looping journey through musical genres and fads, from the wildly obscure to the completely commercial, while employing not one, not two, but <i>eight</i> turntables and a collection of original 45rpm seven-inch singles that would make <a href="http://forum.stereophile.com/photopost/showphoto.php/photo/84/size/big/… Fremer's hair</a> go straight.