LATEST ADDITIONS

These are previously unreleased tracks, with a previously unknown fire and happiness. I pried the advance copy from <a href="http://blog.stereophile.com/musicroom/robertbaird/">Robert Baird's kung-fu grip</a>, and listened to it on the hi-fi. I don't want to say too much about it because our April issue will include a whole psychedelic feature on the topic, as well as a formal album review, so I'll just say this: I need it.

The February 2010 issue of <i>Stereophile</i> is now on newsstands. What do you think of the cover? I like it more than any cover we’ve done since <a href="http://blog.stereophile.com/stephenmejias/now_on_newsstands_stereophile… October 2009 issue</a>, which featured the lovely <a href="http://www.stereophile.com/floorloudspeakers/zu_essence_loudspeaker/">Zu Essence</a> speaker. The styling of the current cover may seem a bit soft and feminine (for <i>Stereophile</i>), but I think it’s elegant and graceful, like the speaker it frames. Vienna Acoustics’ Kiss is a beautifully finished three-way design with an integral stand. It uses a 1" silk-dome tweeter coincident with a 7" proprietary Spider-Cone midrange and a 9" Spider-Cone woofer. Wes wanted to make out with it. Can you blame him? He wrote: “The Kiss was exquisitely capable of revealing the emotional core of every type of music I played through it.”

Two audiophile buddies of mine both own Rogue Audio M-150 monoblocks. I'd always been impressed with not only the sound quality of the M-150, but also its price. For $4495/pair, I thought my friends got a whole lotta amp for notta lotta dough. In this day and age, it's a rare and wonderful thing to get a pair of monoblocks, made in the US by a real audio company, that give you 150Wpc of tube power for under $5000. When Rogue came out with an update of the M-150, the M-180 ($5495), I thought it might be a good subject for my first full review in <I>Stereophile</I>. John Atkinson thought so too. I also thought it would be interesting to compare the M-180 with the very tube-like and almost identically priced Pass Labs XA30.5 two-channel amplifier ($5500), a sample of which I had on hand. (see my <A HREF="http://www.stereophile.com/solidpoweramps/pass_labs_xa305_power_amplifi…; in August 2009).

We crotchety middle-aged (and older) audiophiles frequently sit around and whine about the apparently rising median age of enthusiasts of two-channel audio. "We need to do something to attract the <I>youts</I> to our cause!" one of us will say. (<I>Youts</I>? See Joe Pesci in <I>My Cousin Vinny</I>.)

Spending time on the coast, with nothing to impede your view, leaves you feeling more aware of your connection to the planet, this gorgeous blue rock, spinning about in space. One remarkable thing about being so close to the edge of the continent is that you can actually see the curve of the earth. Here I am, committing it to memory.

While Jon was <a href="http://blog.stereophile.com/stephenmejias/jons_rainbow/">on his way home</a>, I was back at <a href="http://blog.stereophile.com/stephenmejias/lucia_lodge/">Lucia Lodge</a>, working on “Recommended Components.” Earlier in the day, Jon and I had had a big lunch, but I knew that Tom, the lodge manager, would be expecting me for dinner at Lucia’s restaurant. Though I wasn’t particularly hungry, I shut down my laptop, and walked outside. Funny how things work out.

Until recently, I have considered LaserVision video discs as a rather dubious medium for serious music reproduction. The only review I had read about it by a critical listener (Harry Pearson in <I>The Absolute Sound</I>) was I singularly unenthusiastic, and since I had not heard one myself, I was inclined to take his word for it.