The Final Ya Ya's
Shine A Light. Scorsese meets the Stones.
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Buried Treasure: 13 Ways, by Wes Phillips
I've worked at <i>Stereophile</i> for eight years, and, in a time when people change jobs as often as they change cars or television sets, eight years is a pretty good stretch. In that time, I've taken part in some exciting and memorable things, from <a href="http://www.stereophile.com/news/050205Day4/index.html">Home Entertainment Shows</a> and <a href="http://www.stereophile.com/news/010905ces3/index.html">Consumer Electronics Shows</a> to the live recording of <a href="http://www.stereophile.com/musicrecordings/907att/index.html">Attention Screen at Merkin Hall</a>. But <i>Stereophile</i> is fifteen years older than me, and I missed so much.
Duevel Planets
Mutine's Pascal Ravach was demonstrating the small, but striking, Duevel Planets omnidirectional speakers (CDN$1495/pair), The Planets consist of a floorstanding vented cabinet with an upward-firing 5" woofer and 1" horn-loaded tweeter. The drivers fire against reflective spheres, which disperse the sound.
Binary Star
A close up of the business end of a Duevel Planet loudspeaker.
And Now For Something Completely Different
"Wes," Perry Pecker exclaimed as we passed each other in the 10<SUP>th</SUP>-floor corridor. "We have something you might enjoy."
What's The Point?
A closer look at Vienna Acoustics' coaxial tweeter-midrange unit. The central dome is supported by the magnet pole-piece of the flat midrange driver—and the strengthening ribs are said to dissipate standing waves on the surface of the driver.
The Music
Kevin Wolff, Vienna Acoustics' new international sales manager, poses next to the new $25,000/pair The Music loudspeakers.That rotating section of the cabinet contains Vienna Acoustics' revolutionary (<I>hah!</I>) new, flat, concentric 7" tweeter-midrange unit, which handles frequencies from 200Hz to 20kHz. A separate super-tweeter takes over above the audioband.
Sounds Cardboardy?
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Remembering Montreal
Right about now, I suppose John Atkinson and Wes Phillips are pulling into a rest stop, somewhere off the New York State Thruway. The sky is Sinatra blue and the air whispers secrets of spring. The doors to the Land Cruiser shut with a gentle thud, and the guys stroll into a 7-11 for some black peppered beef jerky, Nacho Cheesier Doritos, and a couple of tall Mountain Dews.
Monitor Audio Studio 15 loudspeaker
I believe <A HREF="http://www.stereophile.com/interviews/232">Ken Kantor</A> said it first: a couple of years ago, in his September 1990 interview with Robert Harley (Vol.13 No.9), he remarked that "there's no reason why a two-way 6" loudspeaker can't be the equal of almost the best speaker out there from a certain frequency point upward, with the possible exception of dynamic range." When I read those words, they rang true. If you put to one side the need to reproduce low bass frequencies and can accept less-than-live playback levels, a small speaker can be as good as the best, and allow its owner to enjoy the benefits of its size—visual appeal, ease of placement in the room, and the often excellent imaging afforded by the use of a small front baffle.