Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

VTL MB750 monoblock power amplifier

How much power do you really need? What does it do for you, anyway? Even before the single-ended renaissance, the prevailing wisdom was that you really didn't need that much power. When I had a pair of Met 7 speakers, even the "1 watt" indicator LED was hardly ever lit. Ditto for my time with a Threshold Stasis Two—all those cool power-indicator LEDs just sat there dark. Besides, everyone knows that power can be had only at tremendous cost, both monetary and in terms of other performance attributes.

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DVD players thrive at Comdex '97

When I first attended Comdex several years back, it was easy to feel like a fish out of water. My core interests were always high-end audio---and the computer biz at the time would get excited about anything that sounded as good as a telephone. But I was still curious about what all the brainiacs were up to.

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Mark Levinson No.380S preamplifier

"Comping," they call it at Madrigal. Once a circuit and its board layout have been finalized, passive components are substituted one by one in an exhaustive series of listening tests to determine the places where use of a premium part, or one of closer tolerances, results in an audible benefit. This fine-tuning process cannot be open-ended, however, as products do have to shipped. So what happens when new parts become available, or new manufacturing processes allow a better-sounding part to be used without financial penalty?

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Audio Minimalism

Five or six years ago I wrote a breezy, introductory-type piece on mid-fi "knob-surfing," winding up with a reprise on the old line that the number of the knobs, lights, and tattoos on the faceplate is often inversely proportional to the quality behind them.

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