The mid-20th century was a time of tremendous political and social upheaval, technological advancement, and artistic innovation. Jazz---an American invention---is arguably the greatest single development in the history of modern music. Most of its pioneers are gone now, but their legacy lives on in their recordings---and in photographs.
Conrad-Johnson has been on a roll with their Anniversary Reference Triode preamplifier, aka the ART, which garnered the <I>Stereophile</I> Product of the Year award in 1998. (See <A HREF="http://www.stereophile.com/news/10318/">previous article</A>.) According to Lew Johnson, "We realized that Conrad-Johnson is coming up on its 20th anniversary, so we thought we might produce something special to celebrate. This is a version of the preamplifier we use in our listening room at the factory---we never even thought about producing it because it would be god-awful expensive. But it really is our last thought on what a preamp should be, so we figured we'd produce a limited edition, say 250 total, as a way of commemorating our 20 years in the business."
Last week, <A HREF="http://www.tdk.com%20">TDK</A> announced that it is introducing extended-capacity, 80-minute/700MB multimedia and music CD-R discs this July. The new discs add 50MB, or 6 minutes of stereo music capacity, to the conventional 74-minute/650MB CD-R disc. TDK says it is the first manufacturer to offer extended-capacity CD-Rs, and points out that it has been supplying recording studios with 80-minute CD-Rs for music-mastering applications since 1996.(<I>Stereophile</I>'s new 77+ minute <I>Bravo!</I> CD, featuring chamber music by Elgar and Mozart, for example, was mastered on a 700MB TDK CD-R.)
The advance of plasma-display technology speeds on, and the Pioneer PDP-501MX is at the front of the line. This is the first plasma monitor on sale in the United States that is capable of displaying high-definition images, making it the world's most advanced, commercially available product of this type.Squeezing almost 1 million pixels into even a 50" display (measured diagonally) is quite an accomplishment. As soon as I pulled the unit out of the box and set it in its unobtrusive tabletop stand, I connected it to Panasonic's high-definition tuner box and fed the monitor an over-the-air HDTV signal. Without so much as a hiccup, the set accepted the 1920<I>x</I>1080i signal and displayed a bright, clear, sharp picture that made me smile. All this from a <I>big</I>-screen set less than 4" thick!
<B>GINGER BAKER & THE DJQ2O: <I>Coward of the County</I></B><BR> Ginger Baker, drums; Ron Miles, trumpet; James Carter, baritone sax, bass clarinet; Fred Hess, tenor sax; Eric Gunnison, piano; Shamie Royston, organ; Todd Ayers, guitar; Glenn Taylor, pedal-steel guitar; Artie Moore, bass<BR>Atlantic 83168-2 (CD). 1999. Ginger Baker, Ron Miles, prods.; Danny Kopelson, eng. DDD. TT: 60:26<BR> Performance <B>****?</B><BR> Sonics <B>****</B>
Reader Patrick Tracy claims that he's addicted to buying music: "As in the studies of lab mice and cocaine, I will repeatedly choose music over most any other pursuit. Like a longtime drug addict, I now need larger and larger doses of new music to achieve the rush that a single recording might give a normal person."<P>How about you?
Believe it or not, there are reportedly several "audiophiles" out there who still refuse to accept that an extremely expensive amplifier can justify its price. "For them, the very idea of a $20,000 pair of monoblocks must seem absolutely ridiculous," writes Wes Phillips. "All I can say is that they should steer clear of the Mark Levinson No.33H, or else risk having their tidy little hypotheses shattered into tiny little pieces." For the complete review, take a look at the latest equipment report to hit the Archives: <A HREF="http://www.stereophile.com//amplificationreviews/115/">Mark Levinson No.33H monoblock power amplifier</A>.
It wasn't too long ago that rock band Pearl Jam set their lawyers after the dozens of independent websites pre-releasing pirated versions of the band's album <I>Yield</I>, hoping to curtail its availability on the Internet. How times change. On June 4, any consumer with access to the Internet and a <A HREF="http://www.real.com">RealNetworks</A> G2 player will have the opportunity to visit the world's "ultimate listening posts" when the Red Hot Chili Peppers' new album, <I>Californication</I>, and Def Leppard's <I>Euphoria</I>, will be available in their entireties for streaming on the Web---four days prior to their official June 8 release.
Streaming multiple channels of music has proven a big hit with satellite customers, so it seems natural that <A HREF="http://www.dmxmusic.com">DMX</A>---a subsidiary of TCI Music (soon to be renamed Liberty Digital), and the company responsible for bringing audio to 2.6 million dish owners---would move to the Internet. Last week, DMX announced a multi-year, multi-phase global distribution agreement under which the DMX music service will be transmitted on <A HREF="http://www.lycos.com">Lycos</A>' network of websites.
S<I>tereophile</I> editor John Atkinson---arguably the high-end audio publishing industry's single most important figure, and certainly its intellectual nexus---has seen it all in his 23 years in the high-end audio industry. At HI-FI '99 in Chicago, <A HREF="http://www.audiocafe.com/">Audiocafe.com</A>'s Andrew Keen was able to pull JA away from his busy schedule for an in-depth interview about his views on the industry's current state of affairs---and on what's just over the horizon.