LATEST ADDITIONS

Montreal audiophiles are a hardy lot. Last winter, the city experienced the most devastating ice storm in its history, with power lines demaged to the point that almost the entire city was plunged in darkness. At the time of the 1998 Festival du Son et de l'Image (aka the Montreal Audio/Video Show), residents were still recovering from the effects of the storm. Did this calamity stop the show? No way! By all accounts, the 1998 show was the most successful in the event's 11-year history. I missed it myself, but I made sure that I wouldn't miss the next one.

Myles Astor, publisher of <A HREF="http://www.ultimateaudio.com/"><I>Ultimate Audio</I></A>, recently announced that former <I>Stereophile</I> contributing editor Jack English has joined his publication as a senior editor.

Owners of Apogee Acoustics loudspeakers are apparently being left to twist in the wind by <A HREF="http://www.adst.com/">a/d/s/</A&gt;, the company that took over Apogee and subsequently shut it down (other than to apply the brand to a range of switch-mode power amplification modules). Service will no longer be available for the ribbon speakers, according to Apogee owner <A HREF="mailto:mcarnicelli@bigfoot.com">Matt Carnicelli</A>.

A good reference work on a subject like audio can help speed the understanding of complicated terms and develop the reader's grasp of the hobby's more arcane reaches. Unfortunately, not all audio books serve the audio<I>phile</I> equally well. Read about one such mishap in <A HREF="http://www.stereophile.com//reference/101/">Book Review: <I>High Fidelity Audio/Video Systems: A Critical Guide for Owners</I></A>.

Among major American cities, San Francisco probably ranks near the top in culture per capita. It's therefore no accident that an Internet venture billing itself "the world's first website journal of classical music criticism" should have originated there. The site, <A HREF="http://www.sfcv.org/"><I>San Francisco Classical Voice</I></A>, is celebrating its first six months online.

Adcom is one of those companies that's just too consistent for its own good. Year after year, they put out well-engineered, fairly priced gear, while we audiophiles become jaded and almost forget they're there... You want a good-sounding CD player that doesn't cost an arm and a leg? [<I>Yawn.</I>] Well, you could try Adcom. Need a power amplifier with some sock that won't make your tweeters crawl down your ear? There's always Adcom.

The MP3 audio format has been garnering significant press coverage of late: record labels abhor the piracy problems, consumers love the ease of use and access, and audiophiles can't stand the compressed sound. Does any of this matter to you?