LATEST ADDITIONS

The casual interest soon transformed into an addiction and an obsession. Does <i>obsession</i> come before <i>addiction</i>, or after? I'm not sure. Either way, the salsa didn't seem to mind. It started in early August with two albums: <i>Siembra</i> by Ruben Blades and <i><a href="http://blog.stereophile.com/stephenmejias/la_gran_fuga/">La Gran Fuga</a></i> by Willie Colon. These two led me to several others which led me to more still. I read one pretty crappy Hector Lavoe biography, sent dozens of fiery e-mails to my family in Puerto Rico, devoured tons of liner notes, and watched a gazillion YouTube videos. I've now collected over 20 albums (all on CD), have lured one uncle into sending me rare and classic songs from his library of MP3s, coerced another into donating to my cause his entire LP collection (we'll see about that), and uncovered an entire world of really deep, incredibly hot tracks. The addiction is not fading.

Taking a <I>really</I> close look at Leonardo's portrait.

At last, an explanation of why carefully coiled cables grow knots.

Haven't heard of it yet? You will. It's an opportunistic pathogen that is extremely resistant to antibiotics&mdash;some people call it a super bacterium. Jon Carroll writes about it in his <A HREF="http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2007/…; today, which, like all of his columns, is a great read.

The new Miles Davis <I>On The Corner</I> set, which Sony says is the last metal boxed chunk of Miles they're gonna release, ever, is also the most beautiful, ever. Like the LP which reached its finest, most completely perfected form just before CDs came in, the boxed set is reaching its zenith with this one. The funky characters from the original cover are now stamped into the metal casing into which the set, book and CDs combined slip into. It's the same setup that Sony’s been using since the beginning of what has proved to be colossal reissue program.

This is your brain on advertising.

I was delighted to end the final day of RMAF 2007 in the Soundsmith room. I’ve spent quite a while in Peter Ledermann's rooms at previous shows, and loved every minute. This year was no exception.