Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Along the Rocky Coast

I was in California last week, spending time with Jon Iverson and working on our “Recommended Components” feature for the April 2010 issue. Jon and Corrina made me feel very much at home, made me feel like a king, made me feel very spoiled and very fortunate. California made me feel very connected to the earth, surrounded me with beauty, reminded me that the most wonderful moments in life are made more beautiful when you’ve got someone to share them with.

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How do you feel when high-end audio manufacturers use mass-market components as the basis for their own products?

Recently, there has been a on-line furor over an audio manufacturer having supposedly re-badged another manufacturer's component as its own (with a sweeping price increase). This <A HREF="http://forum.stereophile.com/forum/showflat.php?Cat=0&Number=80790">pra…; has been going on for years: Some high-end audio manufacturers have always taken mass-market components and used them as the basis for their own products. How do you feel about this?

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ASUS Xonar Essence ST/STX soundcards

With all the current fuss about getting audio data from a computer to a standalone D/A processor via S/PDIF, USB, FireWire, WiFi, or Ethernet (footnote 1), it has been overlooked that the oldest way to get audio from a PC is to use a high-performance soundcard plugged into the host machine's motherboard. I remember how excited I was when I installed a Sound Blaster Pro 16 board in the 486-based Dell running Windows 3.1 that I was using in the early Clinton era, plugged its analog output into my high-end rig, and played back 16-bit/44.1kHz files.

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