2WA Group debuts Aequo Ensium loudspeaker at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
Jeffrey Catalano of High Water Sound at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Where We Are and How We Got Here

As another Consumer Electronics Show rolls around, we are seeing some interesting and not-entirely encouraging things taking place in the audio field. The people for whom high fidelity was originally intended—so-called serious music listeners —have abandoned audio almost completely, leaving the pursuit of perfect music reproduction to a group of hobbyists who have more interest in hardware than in music. This, plus the recession, has almost killed middle-fi, which is now flailing out in all directions looking for a new market. Here's how it all came to pass:

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Broken Hearts & Dirty Windows: Songs of John Prine

Whenever I’m at Tunes in Hoboken, getting my fingers all dirty on the vinyl LPs, I stop and stare at this one album, John Prine’s <i>Sweet Revenge</i>, and I wonder what it’s all about. Prine looks pretty bad-ass there in his convertible, decked out in so much blue denim, dark aviators over his eyes, a cigarette at his lips, the wind in his hair, legs crossed and flung out over the passenger side window like he’s seriously satisfied, like he really doesn’t care.

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Attention Screen

On Saturday night, in New York City, upstairs in Manhattan’s 54th Street Yamaha piano studios, which by the way is very close to that other keyboard shrine, Steinway Hall, <I>Stereophile</I>’s own contributing editor Bob Reina and his group, Attention Screen recorded their third live album for Stereophile Records, a label owned and run by editor in chief/sound engineer John Atkinson, our fearless leader. Just so there is no confusion, I mean that last term as an endearing salute rather than in the sense of Rocky & Bullwinkle’s Germanesque dictator of Pottsylvania.

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