Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Escalante Design Fremont loudspeaker

<I>Room lock</I> occurs when a set of loudspeakers reproduces the deep-bass notes of a pipe organ powerfully enough that the sounds can be felt as pressure waves. On Day 2 of the <A HREF="http://blog.stereophile.com/he2007">2007 Home Entertainment Show</A>, in one of the Sound By Singer rooms, our own <A HREF="http://www.stereophile.com/thefifthelement/">John Marks</A> played his recording of organist James Busby performing Herbert Howells' <I>Master Tallis's Testament</I> through a pair of Fremont loudspeakers from Escalante Design. The sustained bass note at the end of the passage took my breath away&mdash;the stand-mounted Fremonts sounded as open and dynamic as anything else I heard at HE2007. I wondered if they'd sound as good in my home listening room.

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Grammy'd

Writing about the idiocy known as the Grammy Awards Show just isn't that much fun anymore. I used to take great glee is slicing and dicing them but they’ve been so dumb for so long that, to quote Mr. King (as in B.B.): the thrill is gone. That said, I now look at it as live comedy, of the squirm in your seat variety. It's always mildly amusing to see the U.S/U.K. music business make an ass of itself for the entire world to see. In no particular order here's a few Grammy 2007 observations.

On one of those occasions when the camera whirled down and across the crowd, I saw Jeff Tweedy of Wilco, looking very adult-like, and his wife sitting in a coveted aisle seat. He's come up in the world. His band's <I>Sky Blue Sky</I> was nominated for Best Rock Album but lost out to the Foo Fighters.

Sinatra and Keys? A tragic mistake for her. Showed how limited her talent is, but then anyone would come up short against Frank. That little sound/image synch problem did not help. A bad idea gone wrong.

Tina and Beyonce. Tina looked spectacular at 69 and sounded even better. She is a wonder of nature. And plastic surgery. Beyonce? Damn, the woman has dancer thighs doesn't she? She looked and sounded very nervous. Of course again, she was matched, not to her advantage, with a masterful singer. Maybe the whole young/old thing needs a rethink.

Liked the commercials for Garth Brooks Greatest Hits records.

The Jerry Lee Lewis/Little Richard/John Fogerty segment was fairly amazing. The Killer, who has been rumored to be on death's door for at least the last decade, looked jowly as hell but was still having fun. Little Richard, on the other hand, was oddly waxen looking (yes, more than normal) and was downright grim when he played. It did occur to me that that performance could well be Jerry Lee's final television appearance, the last glimpse America will ever get, of one of the more unforgettable creators of rock ‘n ‘roll.

Thank God Michael Jackson <I>didn’t</I> show up to pay tribute to <I>Thriller</I>. The freak quotient was off the map to begin with.

Seeing and hearing Keely Smith was great. Kid Rock however is the same untalented dope he's always been. His only redeeming quality is his respect for rock's elders, which still ain't enough to make me say anything but: why does this man have a music career?

Loved the look on people's faces when Doris Day’s name was mentioned. Ooohh was that a LONG time ago.

Andy Williams looked like Andy Williams if he were one hundred and ten years old. It’s testament to what performing in Branson, Mo. ad nauseum will do to ya. And poor squinting Tony Bennett did not a whole lot better.

Great choice on Herbie Hancock. Blew everyone's mind. In a good way.

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