Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Between Heaven and Hell

As I searched through the new arrivals at the Princeton Record Exchange, I kept coming back to this album. I knew nothing about Oscar Brown Jr.&#151had never even heard of the guy&#151but the pain communicated in the album title and cover art intrigued me. Even if it turned out that I didn't like the music, I'd at least get an interesting piece of art. And for just four bucks!

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Guitars and Digital Only

It’s been a Guitar Fest here in NYC lately. I’ve seen Bill Frisell (always superb), Kenny Burrell (a very rare pleasure because he hates to fly) and Mike Marino (with new Blue Note pianist Aaron Parks). Tonight is a tribute to Fender's Jazzmaster guitar headlined by Nels Cline, J. Mascis, Thurston Moore and Tom Verlaine. Must be frets in the water or something.

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Babylon!

If you were to judge this album just by its cover, you might imagine the music inside to be weird and awesome. At least that's what I imagined. If you're like me, you'd be absolutely desitively right. Dr. John's <i>Babylon</i> is something else.

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Sooloos Music Server System

Earlier this year, in an <A HREF="http://cgi.stereophile.com/cgi-bin/showvote.cgi?551">online poll</A>, we asked the magazine's readers if they were ready for a music server. The response was startling: 32% of you had already set one up, and 44% were ready to. Only 7% responded "probably not" or "never." In the polls we conduct online, we rarely get this kind of positive consensus about <I>anything</I> audio.

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Polk RTi A1 loudspeaker

I always enjoy reviewing affordable loudspeakers from Polk Audio, who trumpet high value for the dollar with their philosophy of "Incredible Sound/Affordable Price." They also update their broad and deep product lines more frequently than do most manufacturers. I've always been intrigued by how much Polk has been able to deliver at the bottom of the price range. In fact, the first Polk speaker I reviewed, the RT25i (<A HREF="http://www.stereophile.com/standloudspeakers/417">September 2001, Vol.24 No.9</A>), is the only affordable speaker I've reviewed for <I>Stereophile</I> that I ended up buying (for my computer-based musical-composition system). So, when approached by Polk to review a speaker from their affordable RT<I>i</I> A series, I was interested in the least expensive of that line's five models: the RT<I>i</I> A1 ($349.95/pair).

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