There was a lot of it at the Munich High End Show, and the vinyl booths were always well-attended. Here, we see the Da Capo stand, where I spotted a great selection of indie rock titles.
I managed to control myself, unfortunately.
The Chordettes are meant to make up one powerful, versatile, colorful system.
The polar bear, Isbjornar, keeps watch over Hegel’s prized “Soundengine,” the company’s reason for existence, a technology meant to optimize power consumption, reduce distortion, and increase damping factor.
But Isbjornar seems smitten. I think Rosemarie has won his heart.
“It’s a very stable connection,” Ertzeid said. “Even with all the competing networks here, the music hasn’t skipped at all.”
In the case of the Fosgate Signature phono stage ($2500), Jim Fosgate had been tinkering with the design for nearly 30 years. After a break from analog, Fosgate wanted to get back into vinyl. He first became a customer of Musical Surroundings, and later approached Leerer with a design. The Fosgate Signature is an all-tube, MM/MC design at a real-world price, “a dream product” for Leerer.
Along with the Signature phono preamp and Fozgometer azimuth tool (reviewed by Michael Fremer in our May 2010 issue), Fosgate will design a line stage and power amplifier for Musical Surroundings, to be debuted at the 2011 Rocky Mountain Audio Fest.
“We take a ‘whole system approach,’” Ishiwata said.
“The soundstage is very important,” he continued. “Other aspects of performance are matters of preference, but we focus on creating a very stable soundstage. Everything else comes from that.”
I noted outstanding overall scale with good soundstage height and easy, unforced dynamics. Music developed, blossomed, and blushed like a sunrise. This was a system I could have happily listened to for a long, long time.