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Steven Wilson: A Master of Immersive Music
Steven Wilson loves changing the minds of spatial audio skeptics. He's the go-to Dolby Atmos and 5.1 mixmaster for many heritage artists, new-wave bands, and alternative acts. Best known for leading the post-prog collective Porcupine Tree, releasing a score of genre-stretching solo albums, and serving as a key creative contributor to such experimental groups as No-Man and Blackfield, Wilson's approach is simple: bring them into his studio and let the music do the talking.
How Scottish Indy put fun back in my life
Then from the pages of my holy bookNew Musical Expresscame news from Scotland. Shamefully, back then, my awareness of Scottish music began and ended with Nazareth and the Bay City Rollers. But the NME journos were excitedly talking about two new record labels recently set up north of Hadrian's Wall: Fast Product and Postcard.
What Kind of Music Do You Listen To? (Survey)
In order to better fulfill our readers' musical desires, we'd like to know what music you prefer to listen to. Please take our survey.
Krell KMA-i800 monoblock power amplifier
Fidelity Imports: Diptyque, Audia Flight, Michell Audio, NEO, QED, Titan
The French two-way Diptyque DP140 MKII loudspeaker ($17,000/pair) challenges the preconception that planar magnetic speakers struggle to put out deep bass: It's specified to reach down to 35Hz. Its 87dB/W/m sensitivity is merely average—it will benefit from some power—but its 6 ohm nominal impedance means it's not too heavy a load.
Gramophone Dreams #82: IKIGAI Kangai-level cables, dCS Lina headphone amplifier
With a slightly worried look, he asked, "How much did you say those silver cables cost?"
Thirty years later
Changing audio cables always changes the sound of my system, sometimes a lot but usually just a little. Typically, the sonic effects of cable changes are modest shifts in focus, tone, or transparency. But sometimes during blue moons I've seen a new set of cables turn a blah, dull, fuzzy system into a macrodynamic, microdetailed one. Or turn a cool, mechanical-sounding system into something fierce and mammalian.
Spin Doctor #10: Tone Controls, Vinyl EQ Curves, and the Mola Mola Lupe
Phono playback EQ is one of those audiophile topics that stokes some people's passions, with plenty of disagreements about how important it is. I have seen grown men get into heated discussions about the history of record EQ curves, but in truth, the subject is only likely to matter if you listen to a lot of 78s or original mono LPs pressed between the late 1940s and the mid-1950s.
Room 806 and Just Audio: Mission, Audiolab, Cyrus, Spendor, Dual
Just Audio's Lenny Florentine presented two rooms at the show, one jammed with components at all price points (including Luxman, inspiring that company's VP of Sales John Pravel and myself to reminisce about 1970s hi-fi sales), the second with more affordable but no less listenable alternatives. Room 806 offered two systems in one.
UniQue Home Audio
The room of Tampa-area dealer, UniQue Home Audio was hosted by Michael Swek and offered unique gear and interesting sounds. Their products included the MoFi Ultradeck turntable ($2499) with an Ultragold MC cartridge ($1495) feeding a Coda 06X FET phono preamplifier ($6000). Digital audio was handled with a HiFi Rose RS-130 Network Transport ($5195).