Wes Phillips

Michael Brecker, the legendary tenor saxophonist, has been a staple in the recording scene for more than 30 years now—we were first bowled over by his work on drummer Billy Cobham's 1974 album Crosswinds, although we could have just as easily mentioned hundreds of titles where he supported other musicians as a first-tier studio player. Along with his brother, trumpeter Randy Brecker, he co-led the Brecker Brothers band in the 1970s and, since 1987, has released intelligent, challenging records as a headliner, including our favorite, 2001's The Nearness of You: The Ballad Book (Verve 549705 CD).

President George W. Bush has created a new senior level position, aimed at combating the global counterfeiting and piracy of American intellectual property—a category that encompasses everything from copies of Hollywood films to faked auto parts. The new IP czar will be Chris Israel, currently deputy chief of staff for Commerce Secretary Carlos Gutierrez.

You'd think I'd be used to Charlie Hansen by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the August 1996 Stereophile (Vol.19 No.8). I thought the V-3 was impressive.

Back in June, we reported on the BBC's "The Beethoven Experience", described as "a bold experiment in whether or not free music stimulates legitimate music sales or suppresses them." Last week, The Independent published a terse 200-word article, reporting that the Beeb had downloaded one million files during the Experience, and stating "The initiative has infuriated the bosses of leading classical record companies, who argue the offer undermines the value of music and that any further offers would be unfair competition."