You can order the poster USGPO or you can download the .pdf file. You probably know this information intellectually, but…
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"The United States Commerce Department's National Telecommunications and Information Administration (NTIA) spectrum chart, dated October 2003, depicts the radio frequency spectrum allocations to radio services operated within the United States. This chart graphically partitions the radio frequency spectrum, extending from 9kHz to 300GHz, into over 450 frequency bands, and uses distinct colors to distinguish the allocations for the thirty different radio services."
Guitarist Barry Finnerty remembers his bandmate, friend, and rehab mentor.
Using the acoustics of gunfire to calculate the location of snipers. It doesn't work the way you might imagine.
Last week I went to an advance screening at Brooklyn Academy of Music (BAM) of Billy Strayhorn: Lush Life, a new film about the short, creative, and ultimately kinda sad life of songwriter/arranger Billy Strayhorn. "Strays" or "Sweet Pea" as his friends knew him was part, some would say most, of the brains behind Duke Ellington's success in the forties and fifties. The film will be shown on PBS around the country in February.
If you haven't read it already David Hajdu’s book on Strays, also called Lush Life after one of his most famous tunes, is the go–to resource for all things…
If you're interested in a really special look at some of the best albums of 2006, you can visit The Tris McCall Report. You'll find that Tris has just begun to unveil the results of his annual Critics Poll. Today, he shares his thoughts on the voting results for the year's top albums. If you like what you read, check back each day this week for further commentary.
This year, surprisingly, there was a landslide winner.
I've participated in the voting in each of the last three years, I believe. And, this year, I must confess, I didn't feel up to the task. I mean, I haven't…
"An audience member unhappy with the sound in their part of the auditorium can change seats, but we [concert pianists] cannot," Byron Janis says. "Therefore the position of the piano on stage is of utmost importance—moving it only a foot in either direction can make an enormous difference in the sound and therefore in the performance."
That's Spengler's argument in this Asia Times essay, at any rate. Within that discussion, however, Spengler muses about why modern art is so much more popular with the public than "modern" music—and that's the hmmm part of his essay—that music, unlike the plastic arts, can only be experienced within time.
"When you view an abstract expressionist canvas, time is in your control," says Spengler. "You may spend as much or as little time as you like, click your tongue, attempt to say something sensible and, if you are sufficiently pretentious, quote something from the Wikipedia write-up on…
Fiona Maddocks writes a fine rebuttal to Norman LeBrecht's grousing dismissal of the BBC's Tchaikovsky Experience.
"The view that Tchaikovsky's music is merely decorative and devoid of deeper meaning is now so outdated that I must urge Norman, politely, to get out more."