Cantus producer Erick Lichte and I were working on the preliminary mixes for the choir's forthcoming album of works by contemporary American composers, which we had recorded last June at Goshen College, Indiana. I was sitting at the computer, Erick in my listening chair, and we were using PSB's Synchrony One towers as monitors.
"Ah." I tried not to look sheepish. "I forgot to time-align the outputs from the three pairs of microphones I used."
Now, it's fair to note that the improvement made by time-aligning microphones is…