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Then again, after installing and using the Cyrus 6vs, which is no larger than a box of cookies, there was no doubt that this integrated amp is a product of modern thinking. It has a standby switch on the front panel, so…

Description: Solid-state integrated amplifier with 7 line-level inputs. Input impedance: 50k ohms. Input sensitivity: 179mV. Voltage gain: 40dB. Frequency response: 0.2Hz–85kHz –3dB. Output power: 40Wpc into 8 ohms (16dBW), 50Wpc into 4 ohms (14dBW).
Dimensions: 8.4" (215mm) W by 2.8" (73mm) H by 14.1" (360mm) D. Weight: 8.1 lbs (3.7kg).
Serial number of unit reviewed: CNNS0089/177898.
Price: $1095. Approximate number of dealers: 8.
Manufacturer: Cyrus Audio, Ltd., Spitfire Close, Ermine Business Park, Huntingdon, Cambridgeshire PE29 6XY, England, UK…

Analog Sources: Linn LP12 turntable with Linn Lingo power supply, Linn Ekos tonearm, Linn Akiva cartridge; Rega Planar 9 turntable with Lyra Helikon Mono, Benz Micro ACE Mono cartridges.
Digital Sources: Naim CD5x CD player, Linn Unidisk SC universal player.
Preamplification: Linn Linto phono preamp, Fi preamplifier.
Power Amplifiers: EAR 890, Lamm ML2.1 monoblocks.
Loudspeakers: Quad ESL-989, Lowther PM6A Ticonals in modified Medallion horns.
Cables: Interconnect: Audio Note AN-Vx, Nordost Valhalla. Speaker: Audio Note AN-SPx, Nordost…

The diecast chassis of the nicely finished Cyrus 6vs was very hot at the end of the 60-minute preconditioning period, running at one-third power into 8 ohms with both channels driven. The integral heatsinks were just too hot to keep my hand on, implying a temperature of around 65ºC. However, the distortion present in the amplifier's output didn't rise by any significant amount when the amplifier was hot.

The maximum voltage gain into 8 ohms was 40dB measured at the speaker output terminals, 6dB at the Preamp Out jacks, and the output was in correct,…

It was a physician from New York City—Queens, I think—visiting Stereophile's Hi-Fi '94 High-End Show, in Miami.

"Oh?"

"It's wonderful. Mind-boggling. Highly efficient. It can be driven with almost no power at all."

"What are you driving it with?"

"A Rotel integrated."

Aha—another amateur speaker-maker, I thought.

"Do you want to come hear it?" the physician asked.

"Not especially," I said. "I've been on wild goose chases before."

"What does it take to get it reviewed?" he…

This was a salesman friend of mine, ten years or so ago.

"What is it, Dean?"

"They're a great pair of little speakers. The Euphonic Audio Nymphs, made in New Egypt, New Jersey."

"You're putting me on. Nymphs from New Egypt, New Jersey?"

He wasn't kidding.

Thiel CS1.5
Only last week, my Russki friend Val—the madman from Minsk—phoned me in breathless enthusiasm.

"I've just traded in my CLSes." He'd only had them a few weeks.

"What have you bought now?"

"- - - - - - - speakers.…

"Heard the Thiel CS1.5s?" I asked.

"Yeah—too tiny and pricey. They cost almost as much as a pair of CS2 2s, and they're much smaller."

True. The CS2 2s (now called the "two-twos" rather than "two-point-twos," thanks to the litigious Bose Corporation) retail for $2750. A pair of CS1.5s sell for 72.5% of the price of a pair of "two-twos."

Let's get the negatives over with first.

The CS1.5s are unable to fill a room with the sound that larger speakers can provide—if you want bigger sound, buy bigger…

Soundstage width and depth are magnificent. Following the advice of Thiel's David Gordon, I placed the speakers about 9' apart, and found his suggestion spot on. Start with the speakers far apart, and see if you're unsatisfied with the soundstage width and the center fill. My advice is to place…

The Krell KSA-50S amplifier is proving to be an excellent match for the Thiel, although I haven't had…