Russ Novak wrote about the MB300 in its MB450 incarnation in July 1996 (Vol.19 No.7): The tubed VTL MB300 monoblocks mated so well with the Acarian Alón V loudspeaker that I wanted to reacquaint Stereophile readers with them, and comment on developments since J. Gordon Holt first reviewed the amplifier in October 1988 (Vol.11 No.10).
Though the sweet, liquid, holographic quality of triode tube operation has often been written about, it remains difficult to describe unless you've lived with it in your own system. It's...seductive. Detail is presented in a casual, graceful manner…
Michael Fremer compared the VTL with the Conrad-Johnson Premier Twelve in February 1999 (Vol.22 No.2): Whenever I switched to the Conrad-Johnson Premier Twelves from the far more powerful VTL MB450s, I never felt as if I was losing dynamics, authority, or control. In fact, the C-Js sounded faster, tighter, and punchier overall, particularly on the bottom—like bouncing a quarter on a bed made with hospital corners instead of one whose sheets have merely been tucked in. The Twelves elicited the best bass I've gotten from the Audio Physic Virgo speakers.
The VTLs created a bigger…
The sheet-metal rear panel is no longer flat, but angled up to make hookup more convenient. VTL still uses odd, 3/8" hex-capped binding posts, which means you can't attach the speaker cables using either Dynaclear's safe and convenient Postman or AudioQuest's knockoff of same. While setting the bias is less convenient without the built-in meter, it's still relatively easy (once you remove the cage) using an inexpensive RadioShack digital meter, a plastic-shafted or insulated flat-blade screwdriver, and the well-written instructions. During the year or so I had the 450s in and out of my…
Chip Stern wrote about the MB450 Signature in October 2002 (Vol.25 No.10): This Signature update of Vacuum Tube Logic's MB450 monoblock features a fully balanced input stage, remote voltage turn-on trigger, revised bias points and trim pots, new ground-loop circuitry, and a hair-trigger, fast-blow fuse for the B+ power rail, which (as I can attest to from several blown fuses) prevents a bad tube or a serious power anomaly from frying your circuits. Topping things off are a set of sophisticated new Multicaps in the signal path and to come, a pair of external-current inrush limiters, each…
Paul Bolin wrote about the MB-450 Signature in April 2004 (Vol.27 No.4):Since Chip Stern's update on VTL's second-generation MB-450 Signature back in October 2002, the amplifier has undergone further changes and improvements. It now features a completely redesigned input stage that incorporates advances made during the development of VTL's mighty Siegfried monoblocks. The '450 now has a true balanced input stage, the asserted benefit being superior common-mode noise rejection without the use of an input coupling transformer. Despite these improvements, the MB-450's price remains unchanged…
Sidebar: Specifications Description: Tubed monoblock power amplifier. Rated power: 300W (no load specified). Power bandwidth: not specified. Frequency response: not specified. Sensitivity: 775mV RMS. Source impedance: 0.1 ohm.
Dimensions: 19" W by 10" H by 10" D. Weight: 75 lbs each.
Price: $4900/pair (1988); $6990/pair (1996); $9000/pair (2002).
Manufacturer: Vacuum Tube Logic of America, 4774 Murietta Street, Suite 10, Chino, CA 91710. Tel: (909) 627-5944. Fax: (909) 627-6988. Web: www.vtl.com.
Many years ago, I awoke one Saturday morning to find my girlfriend, with whom I'd had a knock-down, drag-out fight the night before, out on the street in front of our house having an impromptu yard sale. The sale featured my record collection. We broke up. I still have the records. It was in that spirit that in 1991, when I was still a toddler, John Atkinson and Richard Lehnert—at the time, the entire editorial staff of this now august publication—decided to honor in print the overwhelming reason why audiophiles spend so much time and money celebrating sound: they love music. It was with…
Lisa Astor
CHARLIE'S ANGELS: Original Soundtrack (Various Artists)
Columbia/Sony Music Soundtrax CK 61064 (CD). 2000. McG, prod.; John Houlihan, music supervisor. ADD? TT: 58:26 Is it the clothing? The sports cars? Or just the fantasy of kicking some bad-guy ass—big time? I don't know. I just know I wanna be an Angel. I want Areosmith's "Angel's Eye" to start playing whenever I enter a room. I wanna be Angel-cool. The Charlie's Angels soundtrack is a chaotic mix of rap, disco, rock, and Latin music—perfect for an Angel lifestyle of danger, intrigue, and fun. As in most…
Daniel Buckley
LOS LOBOS: Kiko
Slash 26786-2 (CD). 1992. Mitchell Froom, Los Lobos, prods.; Tchad Blake, Paul duDre, Wendy Thompson, Kevin Killen, John Paterno, engs.; Bob Ludwig, mastering. AAD. TT: 52:37 Album after album, Los Lobos had already proven itself one of the most versatile and original bands in the history of American pop music. But on Kiko the magic clicked like never before, resulting in an album on a level of timelessness with "Strawberry Fields" and Pet Sounds. With a surreal palette of instruments and equally dreamlike lyrics, this 16-song collection takes on…
Shannon Dickson
PATRICIA BARBER: Nightclub
Patricia Barber, vocals, piano; Charlie Hunter, 8-string guitar; Michael Arnopol, Marc Johnson, bass; Adam Cruz, Adam Nussbaum, drums
Premonition/Blue Note 5 27290 2 (CD). 2000. Patricia Barber, prod.; Michael Friedman, exec. prod.; Jim Anderson, eng. DDD. TT: 51:29 Patricia Barber has achieved legendary status among jazz lovers and audiophiles alike, and for good reason. Her last four albums are ubiquitous favorites whose artistic and sonic prowess could be heard wafting from any number of rooms at past CE shows. While all of Barber's…