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R2D4 2022: Death-Defying Tunes Page 4

Kurt Gottschalk

John Coltrane: Expression
John Coltrane, tenor saxophone, flute; Pharoah Sanders, flute, piccolo, tambourine; Alice Coltrane, piano; Jimmy Garrison, bass; Rashied Ali, drums
Impulse! MVCI-23023, AS-9120 (CD). 1967/1991. John Coltrane, Bob Thiele, prods.; Rudy Van Gelder, eng.

In 2021, the release of a live recording of A Love Supreme cast attention once again on John Coltrane's legacy. Thumbnail histories posit that he delved into more cacophonous music from there, but his final (much over-looked) studio session tells a different story.…

R2D4 2022: Death-Defying Tunes Page 5

Sasha Matson

The Sons Of Champlin: Loosen Up Naturally
Capitol SWBB-200 (2 LPs). 1969. Bruce Walford, David Schallock, prods.; Leo de Gar Kulka, eng.

Released as a two-LP set by Capitol in 1969, this is the cornerstone album from the Bay Area psychedelic music revolution that many listeners today are unfamiliar with. The Sons were a large band that included a jazzy horn section. Anchored by his red-hot Hammond B3 organ playing, writer Bill Champlin delivered his lyrics with a soulful voice unequaled by any white boy at the time. Utopian ideals mixed with wry…

R2D4 2022: Death-Defying Tunes Page 6

Kalman Rubinson

Ferdinand Ries: Chamber Music: Octet Op.128, Sextet Op.142, String Trio Woo 70.2
Franz Ensemble with Jonathan Wegloop, horn; Emily Hoile, harp
MDG Scene MDG 903 2136-6 (SACD). 2019. Werner Dabringhaus, Reimund Grimm, prods.; Werner Dabringhaus, Tonmeister.

Ferdinand Ries was Beethoven's student and the pianist at the premiere of his Third piano concerto (although they later parted ways). Ries's music is skillful, and it clearly shows Beethoven's influence, even if it falls short of his genius. He does however offer a stylish charm,…

Won't get fooled again

I'm excited about the return of live music to New York City. I've attended several classical concerts in the last few weeks, and in a week or so, I'll take in a show at the City Winery: Suzanne Vega. I haven't yet made it back to New York's amazing jazz clubs—the Vanguard, the Blue Note, Smalls—but I look forward to doing so soon, especially to dropping in on my jazz local, Smoke, when it reopens in a few weeks in new, larger digs.

What I'm most excited about, though, is the resurgence of recorded music.

It has been almost a quarter-century since the Internet almost took down the…

Monitor Audio Silver 500 7G loudspeaker

When I learned that I was to review the new seventh generation of Monitor Audio's Silver 500 loudspeaker ($3200/pair), descendants of the original Silver-series products launched in 1999, I thought back on what I knew about the company and then refreshed my memory. Monitor Audio was founded, in 1972, in Teversham, England, a town bordered by farmland located some three miles from the epicenter of its more famous neighbor, Cambridge. The founder was businessman/sound engineer Mo Iqbal; Iqbal was assisted by Martin Colloms (before that venerable critic turned to writing about hi-fi) and…

Monitor Audio Silver 500 7G loudspeaker Page 2

"What a great-sounding recording," I thought, which is also what I thought five minutes later when I listened to the 24 Karat Gold CD, which is said on the cover to be mastered "from the original master tapes" of the Bill Evans Quintet's Interplay (CD, DCC GZS-1102). Compared to "Utopic Cities," the Evans recording was airier and more resonant. Note outlines appeared starker in space.

I was never a big fan of the sound of this Gold CD, finding it a bit dry and sterile. But now its tonal balance seemed to have inched into more verdant territory. It wasn't warm per se—in comparison, the…

Monitor Audio Silver 500 7G loudspeaker Specifications

Sidebar 1: Specifications

Description: Three-way, four-driver, bass reflex floorstanding loudspeaker. Drive-units: one 1" (25mm) tweeter with waveguide; one 3" (76.2mm) midrange driver, two 8" (203.2mm) bass drivers. All driver membranes are ceramic-coated aluminum/magnesium alloy. Crossover frequencies: 800Hz, 2.7kHz. Frequency response: 27Hz–35kHz –6dB. Sensitivity: 90.5dB/2.83V/m. Impedance: 8 ohms nominal, 4.1 ohms minimum (at 150Hz). Power handling: 250W RMS. Recommended amplification: 80–250W.
Dimensions: 43.1" (1095mm) H × 12.6" (319mm) W × 15.3" (389mm) D. Weight: 49lb (22.…

Monitor Audio Silver 500 7G loudspeaker Associated Equipment

Sidebar 2: Associated Equipment

Analog sources: Rega P5 turntable with RB700 tonearm and Audio MusiKraft Denon DL-103 cartridge.
Digital sources: Simaudio Moon 260D CD transport.
Preamplification: Sonic Frontiers SFP-1 Signature phono preamp.
Integrated amplifiers: Grandinote Shinai, Cambridge EVO 150 streaming D/A integrated amplifier.
Loudspeakers: Focal Aria K2 936, Totem Skylight.
Cables: Digital: BIS Audio Maestro (RCA S/PDIF). Interconnect: Moon Audio Silver Dragon (RCA). Speaker: Nordost Heimdall. Power: Shunyata Research Black Mamba CX, LessLoss DFPC, Audio…

Monitor Audio Silver 500 7G loudspeaker Measurements

Sidebar 3: Measurements

I measured the Monitor Audio Silver 500 7G's farfield behavior with DRA Labs' MLSSA system, an Earthworks microphone preamplifier, and a calibrated DPA 4006 microphone. I used an Earthworks QTC-40 mike, with its small ¼"-diameter capsule, to measure the nearfield responses of the loudspeaker drive units and ports.

The Silver 500 7G's sensitivity is specified as a high 90.5dB/2.83V/m, which was confirmed by my estimate. Monitor Audio specifies the Silver 500 7G's impedance as 8 ohms, with a minimum magnitude of 4.1 ohms at 150Hz. Measured with Dayton Audio's…

Analog Corner #318: Turntable setup is a diagnostic exercise

As I watched WAM Engineering's J.R. Boisclair give an advanced turntable setup seminar at last November's Capitol Audiofest, a light went off. I'm being figurative, but the lights did—literally—go off, and then on again, as I flipped the switch for Boisclair's presentation (see the above photo), which featured both screen time and an in-person lecture.

Boisclair's presentation did not include setting up an actual, physical turntable. Rather, using slides and 1000:1 scale 3D-printed groove and stylus models, he dug into the advanced concepts involved in setting up a turntable and why those…