I bought a Wi-Fi–connected Slim Devices Squeezebox at the beginning of 2006, to experiment with streaming. When Slim Devices released the high-performance Transporter, I was sufficiently impressed that I purchased the review sample after measuring it for Wes Phillips's review in the February 2007 issue. I used the…
search
Listening
For my first listening session, I selected the HiFi Rose RS250's network connection as Roon's active Audio Zone and played files from the internal hard drive I had fitted to my…
Description: Roon Ready music streamer/digital processor, with ES9038Q2M DAC, dual-core Cortex-A72 processor up to 1.8GHz, and quad-core Cortex-A53 up to 1.4GHz, running Android 7.1 and compatible with Airplay, DLNA, Roon, Spotify Connect, Tidal, Qobuz, Bugs, Internet Radio, RoseTube (YouTube), and RosePodcast. Display: 8.8" TFT LCD & capacitive touchscreen (MIPI-DSI). Digital audio inputs: one each coaxial S/ PDIF, TosLink S/PDIF, USB, Ethernet network port; USB ports. Analog inputs: 1 pair single-ended on RCA jacks. Digital audio outputs: USB, S/PDIF…
Digital sources: Roon Nucleus+ music server; MBL N31 CD player/DAC; Ayre Acoustics QB-9 Twenty D/A processor.
Power amplifiers: Parasound Halo JC 1+ monoblocks.
Loudspeakers: GoldenEar BRX, PSB Synchrony T600.
Headphones: Audeze LCD-X, Sennheiser HD-650, AudioQuest NightHawk.
Cables: Digital: AudioQuest Vodka (Ethernet), AudioQuest OptiLink 5 (TosLink). Interconnect: AudioQuest Wild Blue (balanced) & Fire (single-ended). Speaker: AudioQuest Robin Hood. Headphone: Nordost Heimdall with Audeze LCD-X. AC: AudioQuest Dragon Source &…
I measured the HiFi Rose RS250 with my Audio Precision SYS2722 system (see the January 2008 As We See It), repeating some tests with the magazine's more recent Audio Precision APx500 analyzer.
I first looked at the RS250's performance as a D/A processor. Apple's USB Prober utility identified the HiFi Rose as "RS250-DAC" from "HiFi ROSE." The USB port operated in the optimal isochronous asynchronous mode, and Apple's AudioMIDI utility revealed that the RS250 accepted 16-, 24-, and 32-bit integer data via USB sampled at all rates from 44.1kHz to 768kHz. The…
When I examined the Ayre Acoustics EX-8 2.0's performance on the test bench, to accompany Ken Micallef's review in the November 2021 issue, the two channels behaved somewhat differently. The right channel's output impedance was higher than that of the left—0.525 ohm vs 0.35 ohm, which resulted in a level imbalance of 0.2dB into 8 ohms—and while the distortion was predominantly third-harmonic in the left channel, it was predominantly second-harmonic in the right channel.
Ayre Vice President & CTO Ariel…
There was nothing equivocal in my August 2021 review of the Accuphase DG-68 Digital Voicing Equalizer ($24,000). Calling it "among the most enlightening and consequential" audio products I've spent time with, I affirmed that it "enriched my experience of reproduced music far more than I could have imagined." I found it a transformational product that performed "flawlessly, to oft-astounding effect."
For better or worse, forces cosmic and otherwise left insufficient time to explore all the DG-68's…
When I measured the sample of the Ayre EX-…
The brochure asks, "Have you heard of YAKUSUGI Cedar?" No. I had never heard of Analog Relax, either. If you have heard of it, you're at least one step ahead of me.
Analog Relax, the brochure says, is produced by ZOOT Communication (footnote 1). On the company's website I learned that in Japanese "zoot" means "always." ZOOT Communication President Yasushi Yurugi is also a big Zoot Sims fan. He…
The Audio Relax EX1000 (on the Schröder arm, with the OMA K3 arm/turntable) feeding the Arion Mk.II—even loaded at 100 ohms (the cartridge's 15 ohm internal impedance would suggest at least a 150 ohm load)—produced a dazzling presentation that enhanced and intensified the best qualities of both to produce among the most enticing vinyl-…