The album was recorded at Columbia Records' 30th Street Studio in Manhattan in December 1950 (that's no typo: 64 years ago), and even the Sony Legacy CD reissue that came out 10 years ago (with DSD mastering by Mark Wilder, but no SACD follow-up) sounded shockingly good…
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"We have to make people aware of DXD," Scheelke told Stereophile via Skype. "I'm starting off with enough material for people to test. Once people are aware of the format…
Between tree trimming, over imbibing and driving my wife to the brink of full blown mental illness with the up down, jet engine-…
Best New Releases:
1. Sonny Rollins, Road Shows, Vol. 3 (Okeh).
2. Keith Jarrett & Charlie Haden, Last Dance (ECM).
3. Kenny Barron & Dave Holland, The Art of Conversation (Impulse!).
4. Ambrose Akinmusire, The Imagined Savior Is Far Easier to Paint (Blue Note).
5. Fred Hersch, Floating (Palmetto).
6. Sylvie Courvoisier Trio, Double Windsor (Tzadik).
7. The Bad Plus, The Rite of Spring (Okeh).
8. Matt Wilson Quartet + John Medeski, Gathering Call (Palmetto).
9. Frank Kimbrough…
Art Pepper, alto sax; Joe Farrell, tenor sax; George Cables, piano; John Dentz, drums; Tony Dumas, acoustic bass.
M&K RealTime Digital RT-309 (LP). Ken Kreisel and John Dentz, prods., Ken Kreisel and Scott Simon, engs. Recorded at The Annex Studio, Hollywood, CA, March 23, 1982. 37:36.
Earl Wild: Works for Piano
Cesar Franck: Prelude, Chorale and Fugue; Gabriel Fauré: Barcarolle No.3 in G Flat, Op.42. Maurice Ravel: Gaspard de la Nuit.
Earl Wild, piano.
Audiofon Stereo 207 (LP). Julian H. Kreeger, prod., Peter McGrath, eng.
Darn…
1948: Brook Electronics Inc. (Elizabeth, New Jersey) introduces the 12A audio amplifier and 12A3 preamplifier, beginning the era of high-fidelity audio separates.
Since hi-fi's postwar beginnings, hundreds of high-quality audio inventions for the home have thrilled and satisfied music lovers worldwide. But inevitably, no more than a few score companies, and maybe a dozen or so engineer-designers, have defined audio's most creative and enduring achievements.…
Some audiophiles hold that at higher power you may gain maximum volume but lose some finesse, and that as long as the amplifier is not driven into clipping, the fewer the tubes, the better the sound.…
Description: Tubed, remote-controlled, stereo integrated amplifier. Tube complement: six 12AU7, eight EL34; KT88 or KT120 tubes also available. Inputs: 5 pairs RCA, 1 pair home-theater bypass. Outputs: 4 & 8 ohms. Subwoofer output: RCA. Headphone output: ¼" stereo jack. Rated output power into 8 ohms, 1% THD: triode mode, 40Wpc (EL34, 16dBW), 42Wpc (KT88, 16.23dBW), 45Wpc (KT120, 16.53dBW); ultralinear mode, 70Wpc (EL34, 18.45dBW), 73Wpc (KT88, 18.63dBW), 85Wpc (KT120, 19.3dBW). Frequency response, ±1dB: 7Hz–65kHz (EL34), 7Hz–70kHz (KT88), 7Hz–75kHz (KT120…
Digital Source: Ayre Acoustics CX-7eMP CD player.
Preamplifier: Convergent Audio Technology SL-1 Renaissance.
Power Amplifier: McIntosh Labs MC275LE.
Integrated Amplifier: PrimaLuna ProLogue Premium.
Loudspeakers: Focal Aria 936.
Headphones: Grado SR125.
Cables: Interconnect, speaker, AC: Nordost Valhalla 2.
Accessories: PS Audio PerfectWave Power Plant 5, Nordost Sort Kone TC, Furutech RD-2 CD demagnetizer.—Robert Deutsch