Would I be judging the record's sound or the Téssera's? No way of knowing until I played the same album through a reference phono preamp. But Tom Nola had recorded the session on July 27,…
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Description: Tubed phono preamplifier: Tube complement: four 12AX7/ECC83, two 12AU7. Gain settings: 40, 45, and 50dB, MM mode; 60, 65, and 70dB, MC mode. ) Loading options: 47k ohms, 68k ohms, MM mode; 1000, 800, 700, 500, 400, 350, 300, 250, 200, 150, 100, or 50 ohms, MC mode. MM capacitance: 220pF. RIAA accuracy: within ±0.5dB. Noise: –90dBu ref. maximum output. Output impedance: 150 ohms.
Dimensions: 17" (432mm) W by 5.5" (140mm) H by 15" (381mm) D. Weight: 25 lbs (11.35kg).
Price: $12,000.
Manufacturer: Zesto Audio, 3138 Calle Estepa, Thousand…
In their solo projects and in the North Mississippi Allstars, they are dedicated traditionalists and modern proponents of the kind of music that was celebrated in the new T Bone Burnett, Robert Redford, and Jack White film and music project, American Epic.
While Cody…
Here's the shocker: this album was recorded in 1950. That is not a typo. It was recorded 67 years ago. It was Ellington's first "long-playing" album…
Back in 2015, one of Andrew's first designs for Elac was the affordable Debut B6 ($279/pair), which Herb Reichert favorably reviewed in April 2016. But at an estimated price of $5000/pair, the new Adante tower occupies a very different price category. JA asks why.
Editor: Upon reading Michael Fremer's review of our VTM200, we were alarmed when Michael first "had to juggle at least two additional variables so I could listen..." As he had never run his Ayre preamp from its balanced outputs, and his only balanced cable was "so old it was growing hair...I'd never used it," we had the feeling our VTM200s were starting the review facing uphill.
And we were right. Since Michael was working under a tight deadline, it would have helped everyone if he had asked us for a cable recommendation or two, since we are more familiar…
High…
As it did in the big rig, the Arcam irDAC-II's headphone output offered, in absolute terms, a somewhat light balance combined with clean highs and an excellent presentation of recorded detail. It worked well with both the Audeze LCD-X and AudioQuest NightHawk headphones, less so with the Thinksound On2s, where the highs sounded a little aggressive. However, it could readily swing enough volts to drive the high-impedance Sennheiser HD650s to satisfying levels. But I needed to hear how it compared with other D/A headphone amplifiers.
The perfect comparison…